Secret identities are creepy so I don’t have much issue with getting rid of them. Costumes would obviously be toned down. I’m not sure if they’d exist at all.
Secret identities are creepy so I don’t have much issue with getting rid of them. Costumes would obviously be toned down. I’m not sure if they’d exist at all.
Do you think any of them would be corporate mouthpieces or otherwise corporatized like early Booster and the Conglomerate?
And how about the bizarre thrust toward fascism or autocracy? Would any of them be shaped that part of modern day America??
I can definitely see military and corporate influence playing a possible role in the emergence of modern-day superheroes. I think the MCU, and the Ultimates before, got that part right.
As far as fascism and autocracy goes...honestly its pretty hard to tell because, depending on who you ask, superheroes are already either the ultimate authoritarians or anti-authoritarians. And authoritarianism isn't exclusively a right-wing or a left-wing thing either.
But the traditional superhero construct of heroes basically supplementing the justice system by defeating villains and handing them over to the authorities, or working with the authorities even if they were technically vigilantes, probably might not hold muster - because the superhero genre, as we know it today, was largely shaped by the context of a post-WW2 liberal order that seems to be falling apart. Both in and out of universe, the appeal of heroes who don't kill but handover villains to get a slap on the wrist from the authorities, seems to be dwindling. On the flip-side, you also have people increasingly questioning who's a 'hero' and who's a 'villain', because our politics is so polarized right now that its even getting difficult to come to a universal understanding of what is a 'crime', or even a legitimate threat to the public (or who even is the 'public' that deserves to be defended).
Take the very traditional scene of Batman stopping a store robbery. You'd have people on the left arguing that robbing the store is justice because its the oppressed lashing out against the oppressor, and that Batman is the villanous 'oppressor' here. You'd equally have people on the right arguing that maybe Batman should eliminate these violent criminals, or at least give them such a beating that they're in the hospital for life, because they're scum who never deserve to walk the streets again. Batman's partnership with Gordon would also come under scrutiny, with people on the left and the right increasingly viewing police departments as manifestations of a corrupt system, depending on the politics of the specific city/state/country they live in.
If the Trinity weren't created during World War 2 and formed the archetypal basis for the entire superhero genre, the superhero genre may not even exist today as we know it.
So if they were to be created "today", maybe we are looking at different genres altogether?
Diana would be the protagonist of a young adult fantasy series about demigods and monsters, similar to Percy Jackson and Shadow & Bone.
Bruce would be a James Bond-esque action/adventure lead, more along the veins of the darker 007 films like Casino Royale and Skyfall.
Clark would be similar to that Kyle XY show from the 00's, an obvious Smallville sci-fi knock-off but exploring the angle of an alien who looks like a human integrating himself in society.
At least Batman is pretty much based on characters that existed before (Zorro, the Shadow) so I don't think he is really that realted to WWII.
And Superman was actually predated WWII by a few month.
I don't think James Bond is a character that would be created today...
A bat! That's it! It's an omen.. I'll shall become a bat!
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It largely depends on the audience at which the character is aimed. If it's your typical comics fan of today, you're probably going to get something rather different than what would land with a YA-fantasy-lit crowd.
As for the the big icons, I'm not convinced that the core of them would change that much. Particularly not if we don't have the 70+ years of trope forcing them into channels. The tropes formed pretty fast, but if you go back to 1938, they were seasoning to Superman's first few appearances, but not the whole dish.
The things that make Batman iconic would probably stay. Wealth and tech to power his mission, although probably not Iron Man-scale tech, but just slightly better than what the rest of us have. A tragic backstory for motivation. A supernatural-dipped disguise, both to intimidate and so he can anonymously act with impunity. Whether he's got a mansion over a batcave or a penthouse near a secret warehouse would be up for question. There might be more emphasis on Bruce Wayne subtly going after the causes of crime (poverty, inequality, etc.) in contrast to Batman's going after the moment of crime.
I meant around WW2. It's a bit hard to pin down a singular alternative take for Batman as he could be imagined as a number of things: a tech based adventurer, a gothic Phantom of the Opera styled tragic hero, a vigilante fighting gang wars etc.
I was referring to gadget based capers like Ethan Hunt (and for the younger set) Artemis Fowl.I don't think James Bond is a character that would be created today...
Superman.
There are elements I can see sticking:
- A human-looking alien raised by rural foster parents with a strong sense of responsibility and humility
- An incorruptible moral compass. Not a perfect being, but a reminder to us that we can choose to be better than we are. This would include a reluctance to meddle in how humanity chooses its destiny.
- A Secret ID. Those are less popular these days, but I can see a number of reasons for it:
- Superman's not about being the center of attention, he's about helping others and representing a higher example. Especially in today's narcissistic times, that seems like something on which he'd push back
- For all that he is, Superman likes unpretentious things, including friends other than those who'd flock to him as a celebrity (plus he wouldn't want the Luthors of the world trying to get at him through them)
- It's awful handy for him to be able to look into problems without every celebrity blogger on the web trying to get a pic or quote
- Access to salvaged (or reinvented) Kryptonian tech
- Kryptonite: it's just too handy for leveling the playing field and making the likes of Metallo a serious threat
- A costume: aside from comics being a visual medium, he'd need something that can stand up to the physical distress he'd dish out to fabrics. I could seem him starting with something like the New 52 relaunch and progressing to something more suited to his work
I can also see somethings changing:
- The Job. Reporters are in bad odor (although, if you look at pre-1950's Cinema, the profession's always had a sketchy rep). Something tho that still gave him an excuse to look into problems without attracting undue attention. That might mean any number of NGOs or he might be a blogger on social issues that supports himself as a stringer for several news sources (including The Planet)
- The Power Level. I could see dialing him back to something closer to the early Siegel & Schuster levels, if for no other reason, so writers don't have to put the whole planet at risk every time they need to threaten him.
- The Secret ID. No, I'm not contradicting myself, but I could see modifying this a couple of ways:
- He changes his ID periodically, knowing that he's going to get outted, so moves from life to life as needed.
- He might be less reluctant to share who he is with a wider circle that he trusts.
- More tech.
- This is another reason for having a costume (which might look more like what the character in Gods and Monsters wore); he uses his Kryptonian tech to amplify his superabilities. That lets us tell Superman stories that have him at a range of power levels.
- Rather than having him hear a gunshot in Tokyo from Metropolis, maybe he relies on Kryptonian tech to help him monitor the world. Or travel in space. Or anything else we don't want him able to do without some constraint.
- Adapting or reinventing the tech also lets him showcase his brains a bit.
- As others have said, a more racially ambiguous appearance. Maybe his foster family consists of migrant farm workers. Let's let him face privilege issues head on.
- If not more hostility toward entrenched authority, perhaps less tolerance of it, reaching back toward S&S's vision of him as an SJW.
- Less public adoration. A Superman, recognizable to the original, would always be controversial. Not just because some envy or fear his power, or are frustrated by their inability to manipulate him, but because he often doesn't solve the problems some think that he should, or at least not in the way they would have done.
All of this, of course, assumes we're trying to project something recognizable onto today's environment. If that's the case, I still think there are good, decent and humble people out there, and Superman is intended to speak of their virtues for us.
When it comes to the secret IDs I think at least the aspect of them of playing the idiot in their public persons would likely go away.