Kurt Schaffenberger, The Monkey’s Paw and the Supine Super-Suitor of ’63
[B]Kurt Schaffenberger, The Monkey’s Paw and the Supine Super-Suitor of ’63[/B]
Kurt Schaffenberger was one sneaky artist. He loved to make inside jokes in his comic panels. Often putting himself in the scene. Where’s Kurt in the cover for AMAZING WORLD OF DC COMICS No. 2 (September ’74)? Can you guess?
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For one fabled Schaffenberger private prank, we must travel back in time to 1963, when the concept of Superman having contemporaries on other planets across the galaxy is so common that it figures in one of Lois Lane’s fantasies in “The Monkey’s Paw,” SUPERMAN’S GIRL FRIEND, LOIS LANE No. 42 (July ’63).
The story of the Monkey’s Paw was a common legend when I was a kid. The older kids delighted in telling this legend to us younger kids, always embellishing their telling of the tale with the most grotesque details. I don’t know if it’s still as well known these days. But clearly the writer of the Lois Lane story expected that any kid was conversant in the tale--such that there’s no need to relate the story.
I just assumed the Monkey’s Paw was folklore. But doing research, I find that the source is a short story of the same name by W. W. Jacobs and first published in the 1902 collection THE LADY OF THE BARGE.
Lois realizes the implications of the Monkey’s Paw at once, when she receives it, and therefore is circumspect in deciding which three wishes she should make.
At the end of the day, in this adventure, Lois is too selfless. She may want to satisfy her own desires, but she ends up using her wishes for the good of others. First, when she sees the plane that her sister is on is in imminent danger and Lois wishes for its safe landing. And then again when she sees Superman succumbing to Kryptonite and uses her second wish to rescue him.
In actual fact, it will turn out by story’s end that Lois got the wrong end of the stick and neither Lucy nor Superman were in any danger. And so, Lois having no faith in the Monkey’s Paw sends it to the bottom of the ocean.
However, much of the story is occupied with the girl reporter’s whims. And it’s in her speculating on being the most desirable woman in the galaxy where the other Supermen of All Planets appear.
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Schaffenberger, having been a Fawcett artist who drew all the Marvel Family, snuck in the World’s Mightiest Mortal. However, only in the splash panel. On page 3, Superman must overcome seven other rivals for Lois Lane's hand (of those shown in panels), yet there is no Big Red Cheese lying supine after having been defeated by the Big Red S.
As none of the other rivals are named (we might assume some of them are the Supermen of All Planets we've met in other comics), the original Captain Marvel is the only figure we can identify with some certainty.
The truth of this scene is doubly suspect. In the first place, it never happened--it’s merely what Lois is thinking. Although, what Lois thinks is probably based on her knowledge about the heroes of the galaxy, after many adventures with Superman. But then a splash panel enjoys the same status as a cover image--it does not need to actually be something that happens in the story. It can be outright wrong, sometimes.
In the original comic book, the colours on the costume are more of an orange than a red, however when “The Monkey’s Paw” was reprinted in SUPERMAN’S GIRL FRIEND, LOIS LANE No. 104/G-75 (September-October ’70), it became a deep red, leaving little doubt who was the intended victim.
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This attracted the ire of Lex Morris, whose complaint appeared in the next year’s “Letters to Lois,” SUPERMAN’S GIRL FRIEND, LOIS LANE No. 113/G-87 (September-October ’70):
[indent][B] . . . you show a picture of Superman fighting assorted Supermen for the love of Lois. On the ground behind Lois there lies, in his familiar crimson-and-gold costume, the original Captain Marvel.
I know you put him out of business in the 1950’s, but do you have to go so far as to gloat over it? I mean, he was one of the most popular heroes of the Golden Age.[/B][/indent]
The editor, E. Nelson Bridwell, responds that they weren’t “rubbing it in” and that the artist, Kurt Schaffenberger a former Captain Marvel artist, did it as “a private joke.”
[indent][B]The first time the story was printed, this wasn’t noticed because the coloring was different from Cap’s. But when yours truly edited the tale for reprinting, I recognized a favorite hero of my childhood and insisted on coloring him right.[/B][/indent]
In fact, a few years later, Bridwell and Schaffenberger would team up in SHAZAM! for some great Captain Marvel adventures. Nevertheless, our knocked out super-suitor in 1963 can’t really be the Captain Marvel from Earth S!, surely. He is supposed to be from another planet in Superman’s universe.
Could he be Captain Thunder? Since there are many other Earths in the same universe as Superman, where the planets are almost exactly alike, it’s not beyond belief that one of those has its own Captain.
Who is Captain Thunder? you ask. And thereby hangs a tale.
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The Creature of 1,000 Disguises
[B]Gollo of Zar[/B]
Moving from Zor to [b]Zar[/b]: “The Creature of 1,000 Disguises,” ACTION COMICS 234 (November 1957)--again Boring and Kaye artists, but this time Edmond Hamilton writer.
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A runaway boy, Johnny Miles encounters Gollo of Zar. The big lovable creature is shy but soon befriends Johnny, communicating by thought. And it turns out the alien can shape shift into anything else--supposedly anyone else from Zar has the same power. However, when Superman returns the boy to his mother, the bewildered Gollo sets out to find his new friend.
Although the Super-Chameleon can take the shape of any living creature, more often the alien opts for the form of man-made inanimate objects--and these always have Gollo’s big pink eyes.
The Action Ace soon figures out that there’s some connection to the boy Johnny. The youth is scared that people will think he’s just telling stories--that got him into trouble with his mother before, which is why he ran away--but Superman gains the straight scoop on Gollo and conspires to unite the two friends.
Together again, the oddball pals play with each other and Superman realizes that the big green alien is truly just a kid. A kid that ran away from home, in search of adventure. And so child and parents are brought back together on Zar.
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“The Creature of 1,000 Disguises” was reprinted in 80 PAGE GIANT No. 6 (January 1965).
Claire Kent, Alias Super-Sister
[B]Shar-La[/B]
Shar-La makes her one and only appearance in “Claire Kent, Alias Super-Sister,” from SUPERBOY No. 78 (January ’60), reprinted in 80 PAGE GIANT No. 1 (August ’64)--Otto Binder writer, John Sikela artist.
One day above Smallville, Superboy sees a flying saucer piloted by a woman. The woman herself is startled by the sight of the Boy of Steel. “Great Orion!” she thinks to herself (she must worship the New Gods) and crashes into the side of a mountain. As the Boy of Steel comes to her rescue, having telepathic powers, the alien space traveller picks up on his thoughts about woman drivers and is insulted.
The telepath named Shar-La rebukes the young super-hero and won’t take any of his lip but the Boy of Steel doubles down on the chauvinistic remarks. Shar-La is from a planet run by women and decides to teach the smart-ass sexist some home truths. She threatens him with the powerful rays from her ring, but the invulnerable lad is unconcerned and flies away, saying “I’m glad I’m not a girl.”
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The next thing he knows, Superboy is a girl!
Martha Kent is pleased to finally have a daughter, named Claire Kent, who becomes fast friends with Lana Lang. Given the crush that Clark always had on Lana, it’s surprising that he doesn’t recognize the amazing opportunity he has with her, now that they are BFFs.
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Meanwhile the Lass of Steel continues to protect Smallville as Super-Sister. The townspeople surmise that she must be Superboy’s twin sister taking his place while he’s away on important business. But the men of Smallville don’t have a lot of confidence in a girl!
An added power that Super-Sister has is super feminine intuition. Like a Spidey sense, a voice in her head warns her of impending dangers. She’s happy with the upgrade and doesn’t see that Shar-La really cursed her. But the new early-warning power has its limits as it only applies to female dangers not male.
At the end of the story, it turns out that this all just happened in Superboy’s head. The Mento-Rays from Shar-La’s ring projected a mental dramatization of Superboy as Super-Sister. The Boy of Steel says he’s learned his lesson.
For her part, Shar-La explains that they always treat the men fairly on her world--but this has a certain condescending tone to it and doesn’t sound like the men have true equality, if women are in charge of everything.
Nor does it seem like Clark was all that happy to be a girl, as he enjoys being a boy. And Martha Kent never actually got her wish to have a daughter.
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The Captive of the Amazons
[B]Princess Jena of Adoria[/B]
“The Captive of the Amazons” has a slow build, but goes into high gear by the second half of the yarn, providing some great comic moments. The story by Jerry Siegel, with art by Wayne Boring and Stan Kaye, first appeared in ACTION COMICS No. 266 (July ’60) and was reprinted in SUPERMAN No. 207/G-48 (June ’68).
When Perry White sends Lane and Kent to the set of the latest Jena, the Space Girl, movie, Clark is duped into being an actor in the film. However, once the clueless reporter/actor enters the cabin of the movie’s rocketship, he succumbs to the effects of green K. The rocket is not a prop but a functional interstellar craft; Jena is not an up and coming actress but in fact the Princess of Adoria, leader of a crew of space Amazons.
Her film career was just a long con in order to abduct the Man of Steel--Jena having seen through his Clark Kent disguise. As the Kryptonite is slowly killing him, Superman agrees to accompany the Amazons back to their home planet and not to leave until Jena asks him to.
All the men on Adoria are diminutive, bald weaklings under the control of the Amazon women. Therefore, Superman is a most attractive match for the beautiful blonde princess. She intends to make the Man of Tomorrow her sixth husband--the other five husbands having died in battle against the rebel robots that threaten the people of Adoria.
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With Earth under threat of destruction by Jena’s Master Destructo-Ray, Superman agrees to marry the princess. But his heart isn't in it. Jena asks the royal wizard to concoct a love potion and he gives her a green drink--theorizing that there is some Kryptonite in the drink that will make it effective against the Caped Kryptonian.
As soon as he has gulped down the potent potable, Superman is mad with love for Jena and cannot wait to marry her. In fits of passion, he accidentally causes massive destruction to the transportation system. Then, the princess brings her beau to meet the parents at the royal palace, as the Man of Steel must ask Jenna's father the king for her hand. The Man of Might bursts into song, singing of his happines, but the piercing notes of his voice shatter the royal treasures.
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The royal wedding is a spectacular affair, with invited guests from the neighbouring planets. After the ceremony, the Man of Tomorrow gobbles up the entire wedding feast, leaving nothing for the guests.
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As the Amazon city comes under attack from the rebel robots, Superman flies into action and defeats them all, but throws their bodies into the reservoir, where the chemicals from the robots pollute the water supply. Adoria had precious little water as it was and with his act, the Action Ace has deprived the people of any safe water to drink.
Fed up with his ill manners and thoughtlessness, Jena commands him to leave--thus making good on her deal with Superman that he would not go until she asked him to. The king dissolves the marriage and the Master Destructo-Ray aimed at Earth is destroyed. Released from his vows, Superman flies into space and tows an ice planetoid into orbit around Adoria--so as it melts from the sun's rays, the waters of Adoria will be restored.
This was his plan all along. Superman had overheard Jena talking to the royal wizard and only pretended that the love potion had any effect--there was no green K in the drink.
Meanwhile, Jena ponders how she could have been so wrong about Superman, who seemed like such a perfect paramour but turned out to be so crude.