It is.
To be fair its like lots of things: more people are accused of it, rather than being guilty of it.
But certainly some proponents of the art (of virtue signalling) can be profoundly irritating. Think something like: major star...wants government to pursue a load of initiatives that will spend tax payers money..and constantly uses media to sound off on issues...liberal on everything subject under sun. But at same time uses tax management specialists to pay minimum tax themselves, and sends kids to private schools....in effect somebody who wants to appear saintly, while at all times determiningly following self interest.
Just in case you still aren't sure what it is I'll provide you with the definition and Wikipedia entry.
Virtue Signaling:
noun
the action or practice of publicly expressing opinions or sentiments intended to demonstrate one's good character or the moral correctness of one's position on a particular issue.
Some people take exception to the mere use of "virtue signaling" now. But anyone can be guilty of it. People in church can be guilty of it (happens a lot among Christians). It's not derogatory so it shouldn't be demonized, regardless of what people may perceive as the motive behind its use in a particular instance. It's just one of those things.
From Wikipedia
"Virtue signalling is the conspicuous expression of moral values done primarily with the intent of enhancing standing within a social group. The term was first used in signalling theory, to describe any behavior that could be used to signal virtue—especially piety among the religious. Since 2015, the term has become more commonly used as a pejorative characterization by commentators to criticize what they regard as the platitudinous, empty, or superficial support of certain political views, and also used within groups to criticize their own members for valuing outward appearance over substantive action. This more recent usage of the term has been criticized for misusing the concept of signalling and encouraging lazy thinking."
No one is triggered by that, the problem is that a lot of posters claim that Marvel on purpose do not want to promote or publish anything not MCU which is completely false.
A perfect example with the legacy promotion: A couple of posters kept on saying that there was a lack of non MCau characters despite several X-men characters and ome FF appeared in it.
The x-men has had plenty of events and promotion but aparently to wome people Marvel do not want to publish them at all. Because they dont want to make money or something?
Last edited by Redjack; 09-06-2017 at 08:12 AM.
I do feel that certain readers are mistakenly perceiving the decline of the LCS (that's really what we're talking about here) as being equivalent to the decline of mainstream comics. Trades sales continue to be strong, and as far as I know, they continue to grow by the year. It's also clear that this market is far more diverse than the LCS crowd and consists of far more females and minorities.
You also have the fact that Marvel and DC are basically going through a digital transition, somewhat akin to how we're slowly weening ourselves off of inferior and regressive gasoline powered vehicles. I only buy new comics in digital format and my hope is that as the LCS system fades, we can return to a more disposable price-point for new digital comics, which in turn would simulate the newstand/spinner-rack impulse buys of old.
Completely disagree, the industry is failing because of pricing and the direct market, and the direct market cannot continue to move with just sole reliance on the classic readership. This is why Marve madel such a change, and why DC after stating the direct market is crashing, is trying to push out the dark matter titles. It has nothing to do with poor writing, because many of the books that are "supposedly" bad are also award winners. If classic readership was the key, DC would still be beating Marvel to this day with Rebirth. But as stated before, just like with New 52, DC started off strong, and ended going back to very similar numbers to where they were before. So they key to success has absolutely nothing to do with classic readership. The key to success is to get out of the direct market, dedicate more resources to the digital area, drop the freaking prices of their comics, and continue to reach the general audience with a combination of both their classic characters AND their diverse characters. As their diverse characters have already started providing more of a balance necessary to the current comic book audience.
And once again, you analogy makes no sense. The only way your analogy would work is for the readership to have picked up the book and then seen gigantic drop of sales after reading the first issues. That was not the case. The sales started off low, and then eventually was cancelled as the few who decided to pick it up couldn't maintain them in their pull list. So the actor can't be mad for giving a crappy performance, but the actor can be mad for people not willing to give his performance a look in the first place. That second example is an analogy that actually makes sense.
You're surely right to suggest that decline of physical LCS is no indicator any more of whether sales are going up or down. It's just becoming another one of those areas where physical shops struggle to compete, regardless of product sales. High street rents and rates, etc make it really difficult to compete with digital, or just central warehouse type of set-ups.
Your "dream" (of really cheap digital comics) would be marvellous. And..in some ways...with Marvel Unlimited and the weekly comixology sales, we're already some way there. I've almost got to point where I may only buy one or two physical runs in years to come...I'll probably buy John Ostrander's Grimjack at some point if it doesn't become available digitally, and a few other odds and ends.
The other thing that may eventually revolutionise comics might be creation of software to allow writers to quickly and cheaply do their own artwork.
Last edited by JackDaw; 09-06-2017 at 09:48 AM.