"We all know the truth: more connects us than separates us. But in times of crisis the wise build bridges, while the foolish build barriers. We must find a way to look after one another, as if we were one single tribe."
~ Black Panther.
"We all know the truth: more connects us than separates us. But in times of crisis the wise build bridges, while the foolish build barriers. We must find a way to look after one another, as if we were one single tribe."
~ Black Panther.
"We all know the truth: more connects us than separates us. But in times of crisis the wise build bridges, while the foolish build barriers. We must find a way to look after one another, as if we were one single tribe."
~ Black Panther.
Thanks for commenting on this topic, it is always interesting to hear how a writer thinks about these things.
I think the last point you make here is an important consideration that usually goes uncommented on. Many writers try to find ways to shift the focus of the story without totally changing things and leaving things interpretive. Rather than clearly stating something maybe a character will tell the story, or a different interpretation will be put on events from a specific character's point of view.
The whole Ragnarok cycle idea is one of those things. It is usually used with a light touch. Suggesting detail and specificity without really doing that. It's like an elaborate hand-waving. As somebody that loves noticing differences in approach I tend to think of all of these things as retcons, but I don't use that term in a negative sense. I always appreciate when a writer is subtle and suggests things can be interpreted both ways.
I am often more frustrated by the kind of writer that wants everything tidied up. All the pieces in a row with no room for interpretation. This is mercifully rare in comics, probably because it is increasingly difficult to do this as the events accumulate.
(Incidentally, Marvel once did a Thor Annual where Thor went back to the Trojan War and met Odysseus and a few other characters from that era.
And is Gilgamesh who recently appeared in Hercules the same as the Eternal Forgotten One?
Last edited by ElliotJA; 06-27-2018 at 11:50 AM.
that's... disturbing.(Obviously, that doesn't apply to Asgardians, since it was established long ago in Marvel canon that they're not "true" gods.)
I remember all Gods being called aliens (Olympians, Egyptians etc) and were not believed to be Gods.
similar like MCU.
but they are in the comics.
God Bomb further confirms that.
Last edited by GodThor; 06-27-2018 at 12:20 PM.
He's supposed to be. It kind of bothers me because one of the keys of the Epic of Gilgamesh is that Gilgamesh fights against aging and dying the entire story but is unsuccessful. So Marvel turns around and makes him functionally immortal. Makes me think that, maybe, they didn't read the story before doing that.
That being said, I recently thought of a fun idea for a Marvel Epic of Gilgamesh story. It would involve a young version of the Forgotten One (as Gilgamesh), but Enkidu would be the Hulk accidentally sent back in time. It would basically be a Hulk/Gilgamesh buddy story but otherwise be an adaptation of the Sumerian epic.
Matt Murdock's cooler twin brother
I'd give the Devil benefit of law, for my own safety's sake!
Thomas More - A Man for All Seasons
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I think the only certainty is that writers will continue to toss a wrench into whatever we think is canon, especially if they have a specific narrative in mind. When you consider how old the Marvel multiverse is supposed to be -- to say nothing of the various iterations of the multiverse that predate the current one -- it naturally makes sense that the origins of all of the gods is subject to reinterpretation.
‘Toss a wrench in’ seems a very glass-half-full way of looking at things. There is an imperative on the writers to keep telling stories. The stories have to be new and interesting to each new generation in an evolving world. We can celebrate the diversity of story and embrace the fluid nature of continuity, or we can fight it.
Forcing continuity into an unnatural rigid structure is the problem not the solution. That’s on the glass-half-full readers not the writers, who are just doing what storytellers have always done.
That works. Marvel comics did this with the comicbook character Tony Stark. When said comicbook character returned to the 616 Marvel Earth all his past selves blurred into one. Past selves being:
- 616 Tony
- Teen Tony
- Heroes Reborn Tony
This is how Heroes Return Tony remembers all his different pasts as though it happened to him.