Thanks for the explanation. The thoughts and memories being split between two people always made sense, but a soul being split in two is a little more problematic. To be clear I thought that's what Maddie got a piece of along with that phoenix fragment. I read it as Jean's soul because my head canon says that's what Phoenix borrowed a piece of along with her personality and memories to be able to live as a convincing Jean.
Regardless Maddie was dealt a terrible hand, and is I think one of the more sympathetic "continuity casualties" in the x-men. Given that her purpose was to facilitate a happy ending of sorts for Scott, I have no problem with her more "ordinary" personality and background. It befits a woman who is not in the x-men's orbit. Of course then there was Anodyne and Roma, the Outback and N'astirh and it all went to hell, litterally. The only writing descision I still don't like is her trying to take Jean with her when she died. I understand why CC chose that approach but I would have been nice for her to take a little dignity to her grave. Off topic question but I'm curious who you think has Maddie's wedding ring, if anyone? I can't decide if it's Alex or Scott or they buried it with her.
I also appreciated your comments on the Search for Cyclops. I was a little surprised because I haven't heard anyone ask before why Scott didn't go after Jean... except myself. I enjoyed playing a little devils advocate there to see how you would defend it because you've happened across the plot of my second work. I honestly couldn't imagine a better story to tell than Scott and a small band of fools searching for Jean among the wastes between the stars. Think an X-men space opera. I must say I'm having an absolute blast just writing the chapter summaries and most important scenes. Lot's of Claremont era loose threads to play with. A big chunk of the first and second work is Scott's redemption arc. Going after Jean seemed the best possible option for the journey I want him to go on and I didn't want to create some McGuffin to bring Jean running back to Earth. Writing Scott as a man looking for a way to rebuild his family is really refreshing, especially without constant squabbles with the x-men, mutant oppression and the rest of the usual tropes. So thanks for validating that this approach at least has some appeal. You did that right?
Anyway, enough of me blabbing about the plot. Now I need to finish writing the damn thing
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