That's Robby Reed, straight from House of Mystery #159. I'm guessing he shows up in the new Dial H comic and this is the result of that.
You're all forgetting the most important question - why the heck did Manhattan rescue Jor-El from Krypton??
Clearly Jor-El is the key to all of this. He's a funnier character than we've ever had in the comics...
The ten years thing seems to be ten years taken from everyone, albeit possibly at different times. Obvious with the younger characters this is problematic. The latest issue implies that Alan Scott not getting the lantern made a huge butterfly effect affecting everything up to and including the Legion. And then there's the existence of Johnny Thunder and the appearance of Jay Garrick in the Button.
I'm not sure the problem has been clearly defined as depending on where you look, there seems to be a different situation affecting events.
Loved it. Looking forward to Batman's role, Superman's role and Wonder Woman taking on the joint powers of Kandaq. A chance for the Trinity to finally do something in this story.
Going to have to go back and re-read some of the past issues. I swear there are clues coming together for alot of this stuff.
Every day is a gift, not a given right.
#9. This all sounds like something Flash has been involved in all along - Time travel. The way Dr Manhattan flips between eras so rapidly tells me Flash is aware of this way back when all this started, and he’s the only one who can make head nor tail of any of this.
I don’t think anyone’s important, even if they are given a highlight in a book. It’s just Dr Manhattan demonstrating something with a character. But really, Manhattan is flipping through a lot of sequences trying to find a relevance that makes sense to him. The people in this are just passing through. Manhattan is in a crazy frame of mind right now, and he’s like this super editor of the narrative in a place he doesn’t understand, the DCU. Everybody else are just the sequence Manhattan is playing with. At least that’s what I get out of it.
Manhattan has always been this vague, unaffected, being, after his accident, where he doesn’t care about clothes, other people’s dramas, and all he seems to care about is understanding what’s going on in terms he understands, which is a wholly disaffected understanding. To us, Manhattan is a baby who is playing with these toys of reality. He doesn’t take them seriously.
Yeah, I forgot about the Mr. Oz/Jor-El and Flashpoint Batman subplots. I have no clue what that's all about.