Originally Posted by
K. Jones
This might have actually been the first chapter of Metal that like ... really made sense to me. I mean I've been enjoying it in its rock & roll anything goes ridiculousness, in its like ... side-quest ragnarok final boss battle Scott Snyder Ends His Run With This, Batman battling his own demons becomes Batman literally battling a Bat-Demon from the depths of Cosmic Hell thing. And I've appreciated how his run, born in the Morrison run, has been all of a sudden revealing itself to sync up with that run in a lot more ways.
But this issue felt full-on Morrison, and it didn't feel out of place. But it did, in its pacing, weird dialogue, head-long jump into Superman Beyond, Final Crisis, Multiversity, One Million, and other Morrison Jams, just feel really good. But even more than that - little bits and pieces of character and stuff felt more dimensional. We got more character out of Drowned Batman, Red Death Batman and Dawnbreaker Batman than we got in their one-shots. He was always so good at team books, and the way they jived felt oddly like ... well, like a Dark Knights version of his JLA.
And there were so many deep cuts into DC continuity. Tiny pieces that wouldn't mean a damn thing. I loved them.
I get the impression that Mister Stubbs is the Monitor of Earth-53, which is fascinating, because he must have been the hairy primate-man in Mokkari's cage with Nix Uotan during Final Crisis, before Metron reawoke the Superjudge.
I mean I even think there's deep-cut reference to the nature of the Empty Hand, Neh-Buh-Loh, QWEWQ, All-Star Superman's creation, here, with those caged baby universes as power sources, that can be tainted by dark multiversal nightmare-fuel. Neh-Buh-Loh is basically Earth-33, poisoned, right? Jump-cut to Ultra Comics, jump-cut to the Empty Hand, factor in Superboy-Prime, and what the effing what.