Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are,
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
--Lord Alfred Tennyson--
She last showed up in Wonder Woman, captured by Steve Trevor and being interrogated by him and Amanda Waller about some of the Fourth World artifacts she was hunting for Darkseid. She was actually written well in the scene, with a little bit of attitude and being shown to be competent. I think Amanda then absorbed her into a Suicide Squad, but I didn't read that.
In DCnU and Rebirth, we've never gotten a proper story with her or how she obtained her abilities or if she has metahuman size changing abilities that I've read or that we've discussed here on the boards.
Regardless, I'd love to see Doctor Doris Zeul get played up as much as Giganta. She needs a decent origin tale and more depth to her character. I don't mind her as giant heavy hitter, but I'd love to see her being portrayed just as menacing as a mad doctor of biology or something along those lines.
I'm longing for the quartet of Diana's devious doctors (Doctor Poison, Doctor Psycho, Doctor Cyber, and Doctor Doris Zeul) to get together, interact with one another, and thwart Diana.
Wonder Woman isn't that bad, compared to a few of the others. After all, she has Doctor Poison, and Giganta, and Cheetah; at times also Hera and Circe. I can't think of a single female villain for Superman (not saying there aren't any; just that none has crossed my admittedly high threshold for notability).
But the recent dynamic of female villains becoming more sympathetic and turning into anti-villains, anti-heroes, or heroes with issues is an interesting one. One factor here is that for a long time, only evil women were allowed to be sexy and seductive. Thus Catwoman and later Poison Ivy, or Circe for Wonder Woman. But the archetypes the creators choose to draw on were not really evil in nature. Catwoman is the classic cat burglar, and both Poison Ivy and Circe draw on the original Circe archetype that has developed and changed sine classical time. In fact, I'd argue that Poison Ivy is a better Circe character than Wonder Woman's Circe.
So I think that due to changes in society, feminism, and gender roles, many of the old female villains simply didn't make sense as true villains anymore. I also think it would make for a fascinating long-form analysis.
When she first showed up to menace Kyle Rayner she was a cool villain. But the more times she got used... the more I wanted to give her a hug and try to make her feel better. :/
Then this happened and I felt ecstatic joy:
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Some people said it felt "out of character".... except... was it? What did Yrra do the first time she met Kyle Rayner? She spent quite a while dancing with him in a nightclub. No sneak attack, no sniping him from the shadows, she had fun dancing with him(before trying to kill him obviously.
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When John Stewart was crippled in a wheelchair... well that scene was REALLY interesting... She talked about how he was crippled by GUILT, not by injury, (while stripping naked) and how she wished he'd visited her earlier so that they would have had time for "physical contact".
Her first costume was lame and nearly identical to what Carol Ferris wore, but then they redesigned it to fit her character better:
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That one is awesome!
Also... she'd been separated from her ring after conversion. Nothing happened. One of those she voluntarily took it off. So the idea that the ring was controlling her doesn't make sense.
Yeah, I wasn't thinking of Diana in this instance, more Superman, Flash, Green Lantern, Spider-Man, and others that lack female adversaries. Absolutely agree with you regarding societal changes and how initial villainess motivations don't necessarily make the grade anymore, but I'd still like to see them get new additional characterizations or motivations to make them foes for their heroes.
Catwoman, Poison Ivy, Killer Frost, Emma Frost, Maxima, Fatality, and more never seem to stay evil for long.
I would read that analysis in a heartbeat!
I loved Yrra when she premiered and I don't begrudge an evil character who reforms and their story. I just wish some heroes had as healthy a roster of villainesses to thwart them as they do villains. Creators and editors need to go out of their way to consciously make it happen.
Right, but it needs to make sense for them to stay a villain. Yrra's story is so tragic you feel sorry for her instead of anger. She wanted revenge because her parents(and the rest of her race) died. That's... not much of a motive for being a supervillain. The only reason it worked at all was because she blamed John Stewart(and by extension the Green Lantern Corps).... even though John wasn't REALLY the reason for it. He was trying to save the people of Xanshi. John blamed himself, but mostly because he realized that he'd needed(but refused) the help of Martian Manhunter. What destroyed it? a Blink bomb... Apokaliptian tech.
In hindsight... why doesn't she hate the New Gods?
Spider-Man has Black Cat, with a similar relation between them as Batman and Catwoman. I'm not really that familiar with the other characters. But if we look at Catwoman and Poison Ivy, their rehabilitation is long, drawn-out, and gradual—I'd say it is exactly the type of character development that usually is lacking in comics. That is more dramatically satisfying than retcons that add new motivations or changes their character by fiat. But running the process in the other direction should also be a possibility: taking a heroic or mostly heroic character and moving them towards being a villain.
If we look at Maxima, she's simply "a woman scorned" from what I can read on Wikipedia. While not necessarily unrealistic in and of itself (jealousy and wounded pride are powerful emotions), it is a stereotype that is applied to women, while it's mostly scorned men who hurt or kill women.
Personally, I'd like superhero comics to develop a bit more of moral complexity, where the focus is less on good versus evil but rather conflicting interests. To take a trivial example, Poison Ivy can just as easily be an antagonist to Lex Luthor as to Bruce Wayne. Or take Hiketeia, with its conflict between Wonder Woman's compassion and Batman's authority-based view of justice. Something similar ran through the relation between Catwoman and Batman in Brubaker's run.