Just so I'm clear: Am I transphobic if I hate this issue? Circle yes / no.
Just so I'm clear: Am I transphobic if I hate this issue? Circle yes / no.
No, I get it. I knew someone was going to show that one single scene over the last five years. You know, where she disfigures her best friend. Totally in character.
I cannot commend you enough for your brutal honesty, CtC...
... and it's true, some people can't see past their own pain, are selective with their empathy but eXpect it in return unconditionally, and therefore come across as hypocritical. I think most objective observers, would find the behavior of Mutant Action's members, indefensible. Apparently, emotions are still running high here tho, and thinking is clouded.
How cavalier. Why, would it matter to you? 'Cause it doesn't sound it.
Honestly did people really not find it disturbing she beat the guy up after this panel? It was a moment of clarity. He said he was scared, wanted to be safe. The Inhumans released a death cloud. The irrational hate was human even if it was wrong. Maybe he was sick, maybe he lost someone, was sterilized, just traumatized from fleeing. Dazzler could relate to all of that given what she went through. Even the other characters that Visagio created could have related. There could at least have even been a failed attempt by Alison to bring them together in that moment, given it was the point of her tour. Instead she beat the shit out of the guy. Totally wrong messaging.
Is Dazzler still sick with M-Pox, or did that get fixed somewhere? Or just forgotten about, like Rogue?
Wait does that mean that the sterilization still happened? Then that means that alot of mutants are still sterile.
Le Suck it, Dolphin!
-God I am so tired.
SCOTT SUMMERS AND EMMA FROST DESERVED BETTER.
I really don't appreciate targeted, activist language being co-opted by the villains of a piece. When a character says "colonise our oppression", there is an explicit disregarding of that kind of criticism in progressive spaces and it is just one of many things that left a sour taste in my mouth with this issue. This could have easily been a story about mutants and mutant elitists (a la Acolytes) and you wouldn't encounter as much questionable ethical content. The problem with having mutants as minority stand-ins always comes from when they are one-for-one metaphors- not stories that pursue thematical similarity. Here, with Inhumans as a stand-in for the less-privileged minority, and mutants as the more-privileged minority, you're getting horrifyingly close to playing at the same divisive tactics this book supposedly condemns.
As others have posted, this is a story which quite clearly decries the safe space. I read this story as the trans-stand-in Inhumans being needlessly excluded from LGBT+ spaces by the rest of the community- which is a good, relevant interesting story to tell. The problem lies within the essential differences between mutants and inhumans, which makes a one-for-one metaphor fall apart. Inhumans and mutants have very distinct literary and contextual differences and just aren't part of the same community in the way a queer community is. I don't think all people should be entitled to all spaces. I think white, cishet men in radical queer spaces can leave people in said spaces feel uncomfortable or at risk, because of the longstanding effects the dominant demographics have had on marginalised communities. So not only does it read like a failure of the mutants-as-minority stand-in but, more than that, it feels like a denial of mutants place as the allegorically oppressed, shifting them towards being the oppressor. I think this is perhaps the thing that is rubbing a lot of people the wrong way. In an out-of-text sense, it's quite invalidating to a fanbase that reads their own marginalisation through mutancy for said mutancy to now be proclaimed as the dominant or mainstream.
I think it's a good one-shot, I think the storytelling is, at least, decent. I think Dazzler is well-rendered, with a solid voice. I think Colossus sounds nothing like himself, but it is nice set-up for Astonishing regardless. I enjoy a lot of the individual parts here, the creative team is clearly talented, but I don't enjoy its quite centrist, horseshoe theory politics; "Maybe the people fighting oppression are the real oppressors.". It's stories like this that weaken and dilute the core themes of mutancy in universe and, I think more than anything else, goes to show how outdated this book is. I get that they wanted to sync it up to Astonishing's reshuffle, but this should have come out during the IvX era. Now, it just feels needlessly confrontational in a world now devoid of that (Inhuman/Mutant) conflict.
The story could work fine on its own, but as part of the wider, meta-text I think we can say it's a failure. That's as best as I think I can articulate my thoughts on this issue. Despite the sour taste it has left me with, it has clearly captured the imaginations of a lot of its readers, yielding a lot of praise (or, from me, more critical discussion) so I think the book at least gets kudos for bravery. Even if I fundamentally disagree with it.