That's a high compliment (or flattering comparison).
I did mention that in the description in the plot-- but also with the caveat that we couldn't be that pure-and-brief.
For the story to work, it was important that we hit between 7 to 10 very specific beats:
1. Intro to Uncle Ben and his love for Pete.
2. Kids being mean to Pete.
3. Establishing the science demonstration. (We combined 2 & 3).
4. The spider bite.
5. Pete gains amazing spider-powers.
6. He uses them for a TV career/fame/fortune. (We combined 5 & 6).
7. *Spidey lets the robber escape* - And we needed the line about "all you hadda to do was TRIP him" <- The most important panel in the retelling.
8. Pete finds out Uncle Ben got shot by a burglar.
9. Spidey takes out the Burglar.
10. Discovers it was the same man he let get away.
(11. Marcos chose to end on the mask. We didn't need it, but it was a GREAT choice!)
And that's how you got the 9 panels.
If we went the Morrison route and did it in 3, we wouldn't have hit everything we needed for the rest of the issue.
All 9 panels contained information that paid off later in the story-- whether it was obvious at first glance or not.
If we missed any of those 10 beats, we wouldn't be able to call back to them.
Also, the choice to do P.O.V. was a very clever choice on Marcos' part. Though the story was about Spidey, who he is, why he does what he does, and his GREAT effect on every life he saves-- the way the story was being told was focusing on ONE specific life Spidey saved and following THEM. We, the reader, know that Peter Parker is Spidey, but this is more about a civilian/everyman's interaction with SPIDEY (not Pete). Using the P.O.V. shots was a way of NOT seeing Peter's face anywhere in the issue-- you only ever see him as Spider-Man. For this SPECIFIC tale, it was more important to feel the soul/heart of Peter/Spidey than see his face under the mask.