Werk Ohne Autor, German film by Florian Henckel von Donnersmarck (director of the acclaimed Das Leben der Anderen), inspired by the early life of artist Gerhard Richter (but instead presenting a fictional counterpart named Kurt Barnert). On first viewing, I thought it was absolutely wonderful, but I may have to revise my opinion since learning that Richter has openly criticized the film and its director, for misrepresenting elements of his life story.
EDIT: On its own, I thought it was an excellent movie. At a runtime of slightly over three hours, it never gets boring, the story doesn't lose pace. Tom Schilling absolutely shines as Kurt Barnert, his performance greatly adds to the credibility of the character's coming-of-age arc through his twenties and early thirties; he starts out with this sort of wide-eyed innocence about him, that gets shaken as the story goes along, and all of it is very present in his facial expressions and body language. It's a high-budget film that goes for wide, colourful shots, as well as tugging at the audience's heartstrings at sometimes predictable moments, but that doesn't feel out of place. Sometimes, some of the supporting characters can seem a bit like cardboard cut-outs, but I only have a minor issue with that. The scenes in which Barnert is working on his art are beautifully shot; you can feel the passion the character feels for his art.
It was interesting to see this movie so shortly after having seen Zimna Wojna, with which one can draw many parallels: both tell the story of a young artist coming up in post-WW2 Europe at the dawn of the Cold War, entering into a complicated romance, and attempting to wrest themselves free from constraints imposed upon them by peers, and find their own creative identity. But one is a black-and-white 90 minute arthouse film with music as a major element, whilst the other is a 3 hour long big budget affair that centers around painting. Neither film is politically critical per se; the Cold War and the Communist regimes its respective main characters reside in, are more of a backdrop of scenery than a main theme of the movies themselves. And that's an excellent choice on the part of both filmmakers, as either film ends up being a beautiful character-driven story that invite the viewer to look beyond perceived or self-imposed boundaries.