If ten years of recording The Young and the Restless for my mother have taught me anything, it's that characters in serial dramas are always happily in love...until they're not
“The very powerful and the very stupid have one thing in common. Instead of altering their views to fit the facts, they alter the facts to fit their views...which can be very uncomfortable if you happen to be one of the facts that needs altering.” - the 4th Doctor
Not necessarily, and there are nuances even in stereotypes. Azzarello's Ares was at least somewhat interesting, and a different take on the idea of a god of war. Good Omens by Neil Gaiman and Terry Pratchett gives another approach, though they did it as satirical comedy which makes it somewhat easier to work with and against the stereotypes.
Wilson's Ares seems like it will be another good example, where she plays up not so much his anger and destructive tendencies, but rather ties it into being short-tempered and impulsive, which is another trait of the mythological Ares which few writers have latched into earlier. Tim Hanley's review of #60 was the one which guided me to this.
If ten years of recording The Young and the Restless for my mother have taught me anything, it's that characters in serial dramas are always happily in love...until they're not
“The very powerful and the very stupid have one thing in common. Instead of altering their views to fit the facts, they alter the facts to fit their views...which can be very uncomfortable if you happen to be one of the facts that needs altering.” - the 4th Doctor
The art on this issue was atrocious. There was one or two good panels but the rest looked like bad sin city art
Stick "we work together and we get out of here alive"
Matt "peace out suckas"