Darwyn's depiction of Hal in New Frontier was one of Johns' main inspirations for the character, so in a way we may not have Hal's Rebirth without Cooke. He's dearly missed.
TGL #4 was great! Love Hal going all Eastwood.
I've been reading interviews and articles about Gil Kane these days. I found that he complained about early inkers always made the Green Lantern costume look like a sleeveless sweater, which bothered him no end. When Hal first came out in comics, his costume did look like a sleeveless sweater. After a few issues they changed it into representing a "diamond shape". Was Hal's costume originally designed that way, and the first sweater-like costume was just a result of the inkers not understood what Gil Kane tried to do?
I think Kane's own design evolved quite a bit, irregardless of the inker, but I am sure he had specific ideas about how he wanted his work finished.
I think his final design works best, but I think Cooke showed how cool Kane's original design was, too.
There were a few times in between when the suit looked really bad, though. Once the kinks were worked out, it became one of the best costumes in comics
Thought this review was pretty cool.
http://www.adventuresinpoortaste.com...-with-no-name/
Digging into Hal Jordan himself, the issue literalizes another key aspect of the run that may be overlooked. Geoff Johns and Darwyn Cooke, with their respective turns on the character, explored a great facet of Jordan: the ace test pilot. However, that era of his life is long past and The Green Lantern has been exploring him as a nomadic cowboy hero. That subtext is now brought to the forefront as we see Jordan in a cowboy outfit, with an explicit reference being made to The Man With No Name, the iconic cowboy protagonist of the Sergio Leone film trilogy. Evoking the legendary Clint Eastwood character, Morrison and Sharp immediately establish what they’re going for here in their epic. Reading Jordan’s scenes in the issue, one can practically hear Morricone’s iconic The Ecstasy of Gold playing in the background. It’s the absolute perfect connection to draw between icons of pop culture and it absolutely works.