Emma being a dancer was first revealed in Morrison’s run. But on the same page where that was revealed, it was also stated she manipulated Shaw and that they were each other’s equals.
Emma being a dancer was first revealed in Morrison’s run. But on the same page where that was revealed, it was also stated she manipulated Shaw and that they were each other’s equals.
Yeah, I was gonna say, one could make the argument that the stripper thing started with Shaw. But it didn't say she was a stripper though. It said she was a dancer who needed to perform in front of the HFC....? Couldn't that be anything?
And you are right -- she said Shaw mistook her for love, and then in the next chapter, Shaw says that Emma screwed her over. Not the other way around. And previous canon supported this since Emma, Magneto, and Selene voted Shaw out of the club after they found out he was funding Sentinels.
Honestly the stripper thing didn't even bother me until they started writing that she got an invite to the HFC BECAUSE she was a stripper and not for her business talents as stated in the OHOTMU. Jfc.
Last edited by ButterRum; 05-01-2019 at 06:36 PM.
The stripper thing was always left ambiguous, since we didn't know what to use with the Emma Frost one-shot or the Emma Frost solo series. Williams didn't want to use it, according to her Tumblr, but tried to put enough of her own spin on it for it to be tolerable. I don't like it, but editorial wasn't going to let Williams undo it.
It doesn't make any sense that the line "you plucked me off the stripper pole and put me to work all those years" was editorially mandated. That's absurd.
I'd like to see proof where the writer says this was editorially mandated.
Last edited by ButterRum; 05-01-2019 at 07:24 PM.
He liked the Emma that set dogs on innocent people, burned horses, and tortured people for giggles, that isn't better.
https://graphicpolicy.com/2018/08/26...-men-and-more/
Here is where she mentions her love of it. The stripper part is added as a throwaway at the end, leading me to believe it was editorially mandated. I could be wrong, but Williams seems to have a good grasp of the character.
What? This interview doesn't suggest anything you said she said about the stripper retcon:
From the sounds of it it looks like she's a fairly new fan and got into Emma Frost from comics of the past decade. Welp, that explains why the Shaw and stripper thing was a huge part of Black.GP: I like that because people have been talking about the J. Scott Campbell cover for your one-shot.
LW: Exactly. People are gonna pick up this book who don’t know anything about Emma Frost and are picking it up because she looks sexy on the cover. But what you’re gonna get is an intense character study.
So, it was reading the original solo miniseries with her and learning her background and how she set out on her own, the tragic family dynamic, and she was a stripper. All of it. I love it.
Last edited by ButterRum; 05-01-2019 at 07:42 PM.
Old school is always 80s Hellfire Club Emma.
Well, I loved old school Emma. She was unapologetic and pragmatic. Just... a bit abrasive and evil. It's an important part of her character history. I do prefer her as a hero though. I would say my favorite is Generation X Emma. It was the best balance of her. But I also loved her in Morrison's, Whedon's, and that 2nd series of the New X-Men run so, basically, 2002-2007 was a great Emma run. There were plenty of writers who wrote her well during that time, and it wasn't just Whedon. Bendis wrote an excellent Emma in House of M. The writers of the 2nd series of New X-Men did too.
Last edited by ButterRum; 05-01-2019 at 07:46 PM.
I don't understand the assumption that JDW's opinions are akin to editorial edicts.
X-Men Black depicted Emma and Magneto a lot more sympathetic than the Paniccia-era books that came right before them did.