Well Worthy Thor was disappointing. The Simonson story was pretty well crafted for the space, but did we really need stories between the pages of Thunderstrike or even JA’s Thor?
I am sure there is a nostalgic audience for the Thunderstrike story but for those like me who find nostalgia at best a distraction there is no reason for this story to exist aside from reminding people of his story. I guess it acts as marketing for Marvel Unlimited or long box diving. Comic store owners will probably love it.
Katherine Immonen and Tom Reilly tell an interesting tale with at least a reflective message about the meaning of the Jane story. Unfortunately it is a bit muddled and the dialogue could have done with another draft. It is also somewhat redundant because the ultimate message is one that Aaron was already developing at the time.
In general the art was the main reason to enjoy this. Hawthorne and Buscema do great work on the Simonson story, and the colours—which I presume have been done by Workman or Buscema but it isn’t clear which—evoke a fable like feeling that fits perfectly with the feel of the tale. The inking is especially exquisite and reminds us of that dying art.
It may be questionable why we need a Defalco/Frenz story but the execution doesn’t miss a beat. If we are going to have a story that fits between the pages of an older book then making it this authentic is an achievement in itself. Rosenburg’s colour work is perfectly executed too, in that old school style that is trickier to achieve than it looks here.
For me Reilly shines more than Immonen in the third story. O’Halloran’s colour work seems to divide audiences but I love his work, and Reilly’s characterisation and intent is second to none.
Overall I just wish the stories had been more compelling in their own right.