Originally Posted by
DochaDocha
First, I'm going to give some retroactive praise to Death of Superman in its feat of capturing the main elements of the comic story within the constraints of DTV. Sure, it changes certain details, but some of the changes (e.g. using the relevant JL team that people actually care about) are for the better. I'm pretty loathe to the repetitive use of this particular story in other media, especially since the whole DTV line was kicked off by 2007's Superman: Doomsday (more on that in a bit), but give credit where it's due.
Speaking of Superman: Doomsday, Reign has a certain thematic comp to the 2007 flick in that it's mostly entertaining, but also it feels like a movie that only captures some of the essence of the source material and goes off on its own path. There are pros and cons to that, and I leave it up to the viewer to decide if and when that's the right move.
Certainly, the task of trying to tell the story of four Superman wannabes/frauds/what have you was really ambitious, and it wasn't realistic to think the movie was going to reframe each of those character's story in depth. I feel the movie does best with Conner (do they call him something other than "Superboy" in this movie?), and it does try to condense years of his comic development into something like 15 minutes. In the end, though, my attachment to any of those characters (positive or negative) is pretty low. It's just too much to ask to put that much story into that little amount of runtime.
Back when MoS was being reviewed, a common complaint was that Lois was being injected into the action pieces. I didn't think it was particularly bad; in fact, I felt as long as you assumed that Zod and the Phantom Zoners could analyze Earth press releases concerning Kal-El, then they'd see that most of the accessible data about the guy came from her expose. Furthermore, when it was time to counterattack the terraforming, your best bet is to recruit the only person who got instructions from Jor-freakin-El on what to do and how to do it. In this movie, though? I could've done less with her. I think the narrative sets her presence in the action sets properly, but I don't think the utilization was all that great. Going back to the 2007 film, Lois was, in my estimation, also the main protagonist, and it largely worked for me. However, in this movie, I don't think it was the right decision, largely because how underdeveloped the Supermen are. I think a counterargument for that would be that because there was no way you could sufficiently develop the Supermen, then run with a character who can assume the camera time and get the story going. I think that's fair, but I still feel like the movie was hurt.
As for the climactic action sequence, it was largely a miss for me. I've been harping on DC animation for years that they always dumb down the power set of the metahumans and amp up the regular humans, and sadly this movie kind of fails for me in this regard. Look, every DC animation has some nitpickable details that should largely be ignored, but for some reason they were just jumping out at me. Like, when the gun gets flung Lois', way, I thought it was goofy AF that when the breach in the Watchtower started sweeping Lois off her feet, the gun waited like 2 minutes to be moved, and moved just conveniently enough to land in her hands. I also thought it was incredibly stupid that the gun, while fired in Zero G, would send her recoiling, and yet she seemed to be able to aim it better than Cyborg Superman. Look, I've shot many guns before, and my aim sucks, but I shot them with feet firmly planted on terra firma. Recoil makes those things hard to aim, and if your entire body recoils and goes drifting off on firing, and you seemingly hit your target better than the guy who can defy gravity, eh. Chalk it up as another lackluster animated action sequence... it happens.
But action wise, the biggest nitpick I had was that Superman recovered his power after like four seconds of direct sunlight. How utterly underwhelming. It's like, why didn't they just rocket him into space to get a little more sun exposure before sending him to battle? They took the climax of Return of Superman and completely watered it down.
Now, as far as the timeline goes, I thought there's some sensibility in making the movie take place six months after Death of Superman compared to something like the four weeks of comic time (and one year of real time) for Superman to die and come back. As far as logistics of plotting goes, six months is a bit more reasonable to introduce four different Supermen, but of course then it makes the sudden "discovery" of Clark Kent being trapped in the rubble even sillier, as the four weeks in the comics seemed ridiculous as it was. More relevant to the movie, it didn't feel like six months had passed. The way people talked and acted, Superman could've died five days ago.
Random thought on Superboy: I felt that made him kind of young. Maybe my memory of Superboy from 1993 is a little off and he really was closer to 13 than 15, but he seemed so young, and small. I think he's even kind of petite in Young Justice, FWIW, but here he looks a bit too young.
Okay, enough rambling. It's an entertaining film, but it's essentially to the comic source material as the 2007 animated film was to Death of Superman in the comics. Just don't get your hopes up for a faithful adaptation and you'll be okay.