Pull List:
Marvel Comics: Venom, X-Men, Black Panther, Captain America, Eternals, Warhammer 40000.
DC Comics: The Last God
Image: Decorum
This thread is hilarious. The people in here whining about TDK sound like the people that cried over Abigail Fisher.
"Make it easier for us to get in!"
"Okay, it's easier. Presenting the candidate list."
"NO! We meant make it easier for white people!"
Pull List:
Marvel Comics: Venom, X-Men, Black Panther, Captain America, Eternals, Warhammer 40000.
DC Comics: The Last God
Image: Decorum
Last edited by KOSLOX; 01-23-2019 at 03:17 PM.
Pull List:
Marvel Comics: Venom, X-Men, Black Panther, Captain America, Eternals, Warhammer 40000.
DC Comics: The Last God
Image: Decorum
Actually it sounds like you have very little familiarity with the Oscars. You want an objective standard....
The directing wasn’t viewed by the Academy to be good enough to be nominated for best director. The screenplays were not viewed as good enough to be nominated for best original or adapted screenplay. Nor were any of the performances viewed as good enough to be given any of the 4 acting category nominations.
The rest of the best picture nominees?
Roma: Best Director, Best Original Screenplay, Best Actress, Best Supporting Actress
BlacKkKlansmen: Best Director, Best Supporting Actor, Best Adapted Screenplay
Bohemian Rhapsody: Best Actor
The Favourite: Best Actress, Best Supporting Actress x2, Best Original Screenplay
Green Book: Best Actor, Best Original Screenplay
A Star Is Born: Best Actor, Best Actress, Best Supporting Actor, Best Adapted Screenplay
Vice: Best Director, Best Actor, Best Supporting Actress, Best Original Screenplay.
Why is Black Panther the only one without a nomination in any one of the other major awards? Literally only one other nominated film didn’t get a Screenplay nom (traditionally the most important nom for best picture) and that film featured one of what are viewed as the two best performances by an actor this year.
You want an objective standard. There’s one.
That is correct. It is however a massive rarity for a film to not get a single nom in any of the major categories. It almost guarantees a loss because you practically can’t win best picture without winning one of the screenplay categories. It’s very hard to conceive of a scenario where the directing, screenplay or acting wasn’t viewed as recognition worthy but the film was for the highest honor. It likely means nearly everyone else disagreed with the directors, writers and actors.
But then it raises the question of what is and isn't tokenism, then. And the problem with that is that all these argument about "merit" and "worthy" rarely, if ever, imagine that something being great while also being focused on something other than whiteness.
It's the affirmative action counterargument all over again; assuming a Black person in leadership got that job because they're Black, but not considering that this Black person is in leadership because they're both the most qualified AND they set an example and provide visibility for capable Black leaders in their wake (and in many cases, the most qualified for a particular job BECAUSE of that experience). On the contrary, let's say Logan or The Dark Knight really were nominated for a major award -- no one would ever say tokenism because no one would accuse them of using race as Oscar bait. So now we question what is the default and what gets labeled as token.
I mean, not that long ago in this very thread, LoTR movies were hailed as unprecedented and historical achievements in filmmaking. And that is a totally fair and accurate assessment. All credit deserved there. But provide that same courtesy to a likewise-unprecedented Black movie of this scale, and now it's tokenism? But it then opens up the door for future, more diverse movies of that scale as well, and that can't be understated.
Crazy Rich Asians is way better than BP.
Oscars so not asian
I know it's a joke, and it's really disappointing that Crazy Rich Asians wasn't nominated, but let's not pit minorities against each other, eh? It only furthers the idea that that 1. there's a racial hierarchy, and 2. there's a default that neither Black nor Asian movies should belong to. And it was a tactic used in the 1960s to separate Black and Asian civil rights powers when both groups had banded together to fight for equity and equality.