See, a lot of those ideas sound cool as hell to me and definitely would have been fresh and exciting had they been done at that time; I think many of those ideas would have REALLY translated well if they had been done BACK THEN while they were fresh on Claremont's mind. So to come back so many years later and try to revisit and execute those ideas---especially the way the X-Men franchise and the Marvel Universe in general have shaped up SINCE he originally planned to do those things---of course many of those ideas had no chance of panning out in X-Men Forever as well as they would have had he originally done them back in the day. Especially since many of those ideas had already been used (STOLEN) by later X-writers later on anyway.
Youre assuming Marvel would have given him free reign to do as he pleased and knowing the landscape of 1991, that just wouldnt have happened unless he himself was editor. The artists were increasingly getting more creative control and clashes with Lee and Portacio had he stayed, likely would have nixxed these intended plans
The first one from 2001(?) was good...the second one was glorified fan fiction.
Maybe. But, the point being criticized is they promoted the book relentlessly on the premise of it being a continuation of his run, of the story he always intended to tell.
"Chris Claremont writes a bunch of new stuff starting at a point in X-Men history you know about, but we guess is kind of arbitrarily chosen beyond marketing power" doesn't sound as sexy, I guess.
No sh*t. Yeah, we're assuming a lot of things.
"Likely would've nixed his plans." An assumption, but for what it's worth, Lee and Portacio continued running many of CC's ideas after his departure -- up until they bailed from Marvel. (For example, Bishop and Omega Red, and their stories which dominated Lee and Portacio's post-CC tenures, were also CC's.)
Claremont wasn't the infallible writer everyone makes him out to be. He had a lot of good ideas, but it took the editors to make him bring those ideas all together and that's actually what most fans liked...that there were all these little character stories and they came back together....every time he came back to the Xmen it was a total mess.
He ignored the continuity other writers created, put in gaps in the story so he could get to the parts he wanted to write without ever having a plan for how they got there and abandoned storyline after storyline.
X-men Forever was like every bad idea thrown at a wall and then some.
Yes, if he's going to do things that no editor would have ever let him do in a "real" X-Men book, like kill off major star characters, then it can't be considered a continuation of anything. To be a continuation it would have had to acknowledge, broadly, the Marvel continuity of the '90s, but the Marvel universe it took place in didn't really resemble the comics of the period.
The series just didn't know what it wanted to be. It obviously wasn't a continuation of Claremont's X-Men run, but it wasn't really an Elseworlds story either.
I did like some things about it, like the Avengers team that fought the X-Men a couple of times in the second volume, which included the Scarlet Witch at a time when she was banned from the "real" Avengers comics.
In general I remember the writing of the non-X-Men characters to be better than the X-Men characters, probably because Claremont hadn't been burned out on the other characters yet. I think Marvel should just assign him to write about non-mutant characters he likes, like Black Widow and Carol Danvers, instead of sending him back to the X-Men well all the time.
Last edited by gurkle; 01-23-2019 at 01:59 PM.
One other problem with the dialogue that may not have been Claremont's fault: he was back to the traditional comics style of BOLDING every few WORDS to EMPHASIZE the RHYTHM. This actually works very well with a lot of writing styles, but Claremont is so wordy that he benefits from the lettering style Jim Shooter favored, where he ordered editors and writers to cut down on the bolded words and only emphasize something if it was really important.
Some of Claremont's recent work has not had all that bold type added - Marvel and DC don't use it as much as they did a few years ago - and it really helps.
Just in that bit (though they also faced off in Ultimate X-Men and Wanda teleported Jean to New Jersey).
As a Storm fan I enjoyed this take on the character. Perfect Storm was that B#$@%!