I am not quite sure how to explain it, but that was a period of fiction that always tried too hard to be profound. Every key character had to be fundamental to the safety of mankind, religious themes abounded, everything was laden with import. I put it partly down to the drugs everyone was on. Good stories came out of this era but serialised fiction wasn’t quite the right medium for it.
Characters couldn’t just be a kid, they had to be a potential messiah or anti-Christ. Anti-heroes couldn’t just be dark they had to be related to Cain or Remus. Analogy was dragged kicking and screaming out of the subtext and exposed in the story.
Then I compare that period to today and there are a lot of similarities. Yet somehow I don’t get that feeling of laden import now. Maybe I am the one that changed. Like I say it’s a feeling not a thesis.