Jennifer Lawrence was great in this, as well as Silver Lining and American Hustle.
I dont get the hate.
Jennifer Lawrence was great in this, as well as Silver Lining and American Hustle.
I dont get the hate.
It's hard for me to listen to someone not in my position. A caterpillar can't relate to what an eagle envisions.
It's hard for me to listen to someone not in my position. A caterpillar can't relate to what an eagle envisions.
I really hope they don't use X-Men as horseman. That is literally the lamest thing about Apocalypse.
Time travel is not confusing. Are there plot holes? Sure. And most movies without time travel have those too.
For a 10 year old(which this movie is not designed for), there is plenty in the film, time travel included, that would be confusing. Them going to rescue a mutant that can mimic the powers of another would not be anymore confusing. Not exactly saying them having Kitty ride it out was a bad choice either, but the Rogue sequence probably would have been better and added more to OT story, along with a couple of other things that were removed(most likely due to time constraints).
Am I the only one that doesn't want to see any of these proposed solo spinoffs? Even Gambit, and I'm a huge Gambit fan. Just too much overkill at that point.
"In any time, there will always be a need for heroes." - the Time Trapper, Legion of Superheroes #61(1994)
"What can I say? I guess I outgrew maturity.." - Bob Chipman
Let the flames destroy all but that which is pure and true!
I've watched all 7 X-Men movies in the past week, and I realized something. From the opening minutes of the first movie, it's clear that Singer's X-Men story wants to be about Charles Xavier and Magneto. Not Cyclops, Storm, Rogue, or any of the other characters whose lack of screen time and focus that people frequently complain about. Not even Wolverine.
Wolverine's emergence as the protagonist of the series arises from an inherent contradiction in the early X-Men movies. They're action movies where the two most important characters are old men. They may be superpowered old men, but they're old men nonetheless. This is where Wolverine comes in. Not only can he be the idea action star- a guy that can be shot, stabbed, and thrown from great heights dozens of times without forcing the audience to suspend the disbelief- he can also be the audience's surrogate, our window into Charles and Erik's world. He doesn't know any of the back story, we learn it through him as we watch him grow into a hero the same way that we experience the wizarding world through Harry Potter's eyes. Wolverine is our protagonist. Everybody else is secondary. That's not necessarily a bad thing, but it means that it's simply unreasonable to expect Storm or Cyclops or anyone else to share top billing with Wolverine.
First Class works so well because it allows the X-Men series to be what it wanted to be from the beginning- Xavier and Magneto's story. It's able to do so because it lacks the contradiction of the earlier films. Xavier and Magneto are young, and they're free to run around and be the action stars that these kind of big-budget movies need. They don't have to be the guys acting as chess masters, guiding their pawns through the multimillion dollar set pieces. They can be the focus of those set pieces themselves. The immediate benefit of this? First Class doesn't feature Wolverine. It doesn't need him. Magneto and Xavier are doing the world-building in front of our eyes. We don't need a surrogate so we can be brought up to speed. We can see it all happen in front of us.
Days of Future past is great because it uses Wolverine to his full potential. By sending him back in time, the film can use his growth as a character in the previous films to aid in the growth of our new leads. Wolverine is essential in passing the torch from Stewart to McAvoy. Stewart's student become McAvoy's teacher.
A crucial difference between the X-Men movies and the Avengers is that the X-Men movies (when they've succeeded) have been driven by character, not plot. This is where The Last Stand went wrong. It tried to add plot threads that didn't need to be there. There are times when important characters are literally standing around on the battlefield because the plot gives them nowhere to be. It's also why X-Men Origins failed while The Wolverine succeeded. Origins was cornered. It's plot dictated that Wolverine lose his memory to set up the events of the other movies. There's no room to grow as a character when the plot dictates that all growth is erased by the end. On the other hand, the Wolverine worked because it's all about growth. Wolverine is able to move on from the events of The Last Stand and understand that he still has a purpose and a chance to make his life mean something.
The X-Men movies shouldn't be like the Avengers. They're not ensemble films. The best X-Men movies (X2, First Class, and now Days of Future Past) have understood this and have let each character play the role that they were meant to play, whether big or small.
Russia is cold, why can't Batman have a warm hat?
The more I see Quicksilver the less I want to see this film in fact I give up on this crap fest of a series all of my favorite characters are just turned into stupid gimmicks.