One More Day ended the marriage in the main universe. That was the important thing. There's nothing wrong with the continued publication of Spider-Girl or with the Renew Your Vows books, set in different universes.
The idea that Marvel's trying to make money by teasing the return of the marriage seems to be under the assumption that everyone else cares about it as much as the most intense fans of the marriage. That's not the case.
Any method of ending the marriage would split fandom.
The magic erasure has some advantages over other forms of potentially ending the marriage, especially as other characters aren't aware of it and it wouldn't inform the subtext of their conversations with Peter.
I could see why Marvel doesn't want to touch that thread, but interviews are not canon.
Sincerely,
Thomas Mets
While I agree with you on this point I think you are dead wrong when you say a single Spider-Man is necessary for the comic series to continue. Single, Married or any other status quo can work as long as the writer is creative enough. Hell, the aging the character argument is also wrong because of how long elderly, near death, Aunt May, has been around. In a realistic timeline, Aunt May would be long dead by now. Marvel could keep Annie, for example, young forever if they wanted to just like how they keep Aunt clinging to life and Peter around thirty (at max).
"So you've come to the end now alive but dead inside."
Also for the law of cause and effect, this would never work deal or no deal. If you change one event everything else that happens later would have to change in some way and those changes would inevitably add up over time Mephisto or no Mephisto. Even by comic book logic, this idea is beyond assinine.
Last edited by Celgress; 05-11-2019 at 08:42 AM.
"So you've come to the end now alive but dead inside."
I hate OMD and I hate pretty much everybody involved with it. Not only because in a literary sense it's hot garbage that hasn't washed off Spider-man to this very day and not worth the paper its printed on, but because it fundamentally misrepresents the character and throws the weakest arguments for what is basically an editorial reset of status quo. It's a bad story in 2007 and its a bad story now. My enjoyment of Spider-man is not tied to his marriage to Mary Jane, my enjoyment of Spider-man is of good stories and even fun ones even if the plots aren't that great. But OMD blows chunks and nobody has ever been able to justify its existence. I don't mean the necessity of it, I mean the story itself. It could've been good, but the writing is so poor and the art is gross that I'm left wondering why nobody didn't just do a hard reboot without any lead-in if this is the book we got.
Spider-man as a character is effectively dead to me.
Slott's run since has had a few good stories and I will give credit where it is due. I do not view Slott as a god among men as a writer because even he has put out crap on a regular basis, but that comes with the territory in having been on a title for too damn long, statistically speaking he will release crap. It does not change my feelings towards Spider-man. As much as I like Big Time, No one dies, Ends of the Earth, or elements of Superior Spider-man, it doesn't change OMD to me nor my feelings on the character. Spider-man is still dead to me and until this is addressed in-story where there is some sort of resolution to all of this it will remain that way. It wont prevent me from picking up a Spider-man book in the future by Slott, Spencer, or anyone really, but why should I give a damn if something I like is going to be rest several decades?
-----------------------------------
For anyone that needs to know why OMD is awful please search the internet for Linkara' s video's specifically his One more day review or his One more day Analysis.
Exactly as the character is still evil and otherwise acts like the Biblical Satan. Using Mephisto was a very stupid idea on the part of Those in Charge of Marvel due to this baggage. They should have chosen another character or method free of such negative cultural connotations.
"So you've come to the end now alive but dead inside."