Originally Posted by
kjn
I'm probably coming from a slightly different angle here. I don't view Heroes in Crisis as a good work, but I think it's an interesting work. Not in spite of its flaws but because of its flaws. I discussed its relation to genre earlier, but now I want to focus on its themes, or rather what I see as its lack of it.
In this regard, I view theme as what a work is about when its world, its characters, and its plot has been removed. To take a famous example, I think the themes of The Lord of the Rings are friendship, duty, and honour, and how they relate to each other. Duty and honour might be poor markers there: honour is much more about knowing ones own values and keeping to them than anything else, and duty is much more about carrying on than anything imposed from above.
Or to take a more recent example, I just read Under the Moon: A Catwoman Tale, and I'd judge its themes to be trust, trauma and isolation: how trust can be lost, the implications thereof, but also how trust can be regained and isolation broken.
So what are the themes of Heroes in Crisis, and how does the work manage them?
An obvious start would be to look at trauma, PTSD, and mental health. It manages to show lots of characters dealing with mental health issues, but to me it takes a too wide and shallow approach to wrestle with the theme properly: instead of taking a single character and investigating their emotions at depth (like Under the Moon does), we are given a scattershot of various characters referencing various traumas of their past. If the message is that you are not alone and can get help, that message is undercut because the help given by Sanctuary was decidedly unhelpful.
Another potential one is isolation and alienation. It fits with Wonder Woman's and Superman's booth sessions, and certainly with Wally West. But we never see how isolation is developed—it is simply assumed from references to backstories—nor how it is managed and broken. On the contrary, Sanctuary as set up is by itself an isolating and alienating environment. It is ostensibly the realisation that he is not alone in being traumatised that broke Wally.
So rather than a theme, something that is explored, isolation is more of a moral: isolation is bad for you. It's not explored why and how it is bad, or how it is developed, or how it can be broken and overcome. And contrary to it being a moral, the very act of breaking isolation causes a total breakdown. In a way, such a moral becomes circular: don't become isolated because it's bad for you, and once you are, then not being alone anymore will break you even worse.
The story has also been read as an analogue of school shootings. Here it breaks down to me because most school shootings are highly planned events: they are not the products of sudden passion or breakdown of control. So Wally as the guilty party does not fit that model at all. Likewise, the story is not really exploring survivor's trauma. There are some hints in how Batgirl and Harley Quinn bond in #4, but it never goes further than that, and that scene focuses more on past overcome trauma and the disjoint between who they are and how others see them.
Then we come to themes that King may not have intended. If the theme is that life is suffering and then you die, that would certainly fit to Wally's arc or the way the Trinity act, but it doesn't seem to fit "Blue and Gold and the Dynamicker Duo", and I doubt it will even after the finale.
So is there a theme to Heroes in Crisis? Bugger if I know. But I'd be interested in if any of you here have any better ideas.