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This is the truest problem with reason to critique. I also hold this view. It is at least A reason SNW was a large breath of fresh air. That return to more singular episodic viewing with perhaps a subplot that runs underneath in the B story.
Where did this season long serialization start, is there a "patient(show) zero"?
I feel it may be as far back as The X-Files. Then Buffy TVS, LOST, ALIAS and HEROES had runs of strong examples. By the time we get into the 21st century with Cable outlets producing content and reduced episode counts per season it was largely standard. By the age of Streaming it would be hard for someone born pre-2000 to know of anything different almost.
If anyone thinks of a better pre-90s example than X-Files I'm game. To argue myself, even X-Files had plenty of stand alone epss within its season arc episodes so maybe the example is post-TXF.
"Freedom is the right of all sentient beings" - Optimus Prime
Primetime Soaps and Dramas Peyton Place, Dallas, Knot Landing, Dynasty, Falcon Crest, 30 Something, Life Goes On, etc.
Sci-Fi you had Invaders which ran for 2 seasons in the 60's and while episodic had an overall storyline of aliens secretly infiltrating the Government. Even the 60's Fugitive had the overall storyline of proving Kimble's innocence.
Yea, my thought exactly. I just can't get past this, and frankly, I just won't get past it, for anything. Grant Morrison used to hold up Star Trek as the kind of optimistic stories we humans got away from telling each other/ourselves, so this Kurtzman's era is especially painful considering that thought of Grant's (which rang so true the very moment I read it).
Last edited by JBatmanFan05; 02-08-2023 at 11:40 AM.
Things I love: Batman, Superman, AEW, old films, Lovecraft
Grant Morrison: “Adults...struggle desperately with fiction, demanding constantly that it conform to the rules of everyday life. Adults foolishly demand to know how Superman can possibly fly, or how Batman can possibly run a multibillion-dollar business empire during the day and fight crime at night, when the answer is obvious even to the smallest child: because it's not real.”
Think Discovery season one might've been partially inspires by the Battlestar Galactic reboot in a few ways. Although it's been overshadowed by GOT and other shows since then, it was often seen as a possible roadmap for a Trek revival. The series was also Ronald D Moore's work-he wrote most of the Klingon stuff for the TNG era. There was also a CSI episode called space Oddity that featured Moore and some BSG actors called space oddity, which dealt with a backlash to a gritty reboot of a TOS style show..
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Star Trek: Picard Season 3 - The Ready Room Premiere Special
Get ready for the final season of Star Trek: Picard, featuring the return of the Enterprise crew from Star Trek: The Next Generation.
Wil Wheaton hosts this deep dive with the cast and creatives as they boldly go one last time on a premiere special segment of The Ready Room.
Originally Posted by The General, JLA #38
"So you've come to the end now alive but dead inside."
"So you've come to the end now alive but dead inside."
THAT is what I wanted to hear! Sir Patrick's taken the broken old Professor X he played in Logan and transferred it to Picard. Not a good look, and not every old man is disillusioned and bitter.
I watched the first 1 1/2 seasons of the BSG reboot before I couldn't take said near-unending misery anymore. The trailer and first half of Discovery's premiere episode filled me with hope... then I got warmongering cannibal space rapists. (Gods, I type that phrase whenever I talk about early Disco.) That works in Firefly, not Star Trek. Depressingly violent =/= good 21st C TV. At least that show course corrected in s2, and Picard seems to have course corrected in s3 into what it should have been from s1... just in time to end.
Originally Posted by The General, JLA #38