Originally Posted by
mikelmcknight72
I agree about Barry. It seem less about adding tragedy as motivation and more about paying a price for coming out of comic book limbo. Murdered mom enough tragedy? No. Falsely convict and imprison father for it enough? No, we need more. Let's see...eventually find out the copy who raises him in their place was having an affair with Barry's mom? OK. That'll do...for now. It's like the death by chocolate of comic book origins. Sheer overkill.
Clark & football? Depending on how strong his abilities were at the time, it could be horrible or ok. If he just seemed like the fastest but not yet in a super way, OK. If they knew he was well beyond merely gifted? Not OK.
Year One: I still love it. The Selina-as-a-hooker part is unpleasant, but the motivation it gives her is better than bored socialite or the like.
Power Girl? They should have sent her into Ragnarok-Limbo with the JSA instead of the unfortunate multiple choice origins. The best thing in years was putting her original origin back in place where it belonged.
I didn't much care for wiping Helena Wayne out of continuity, or getting rid of the multiverse either. Probably not really retcons, but still. Never liked it, and I bought Crisis when it was brand spanking new as a lad. Sat in the car reading the death of Kara while my mom was getting groceries. There may have been tears.