Originally Posted by
MichaelC
He can be more than that, but shouldn't lose that. I think of "Penguin: Pain and Prejudice" as an example of someone who is a brutal thug, while also being more than that. Some of the better Black Mask, Vandal Savage, and Gorilla Grodd also has them be more than brutal thugs, without losing that they are brutal thugs. The Mandarin is not, should not be Ra's Al Ghul. His personality is diametrically opposed to Ra's refinement.
He seems to be driven by hypermasculine things: the urge to conquer and dominate both via armies and in single-combat. And he tries to turn the world into a more social darwinian place where this kind of behavior is natural. For example, using the Heart of Darkness to revert the world to the Dark Ages, using orbiting satelite "hate-rays" to plunge the world into chaos, various schemes to cause World War III. Essentially, he's an evil Klingon, and he wants earth to be a much more Klingonesque place. Even his most minor schemes have a vibe of hypermasculinity, such as wanting to broadcast a duel between himself and Iron Man. On a world scale he embodies Ayn Rand flavored social darwinism, and on a personal scale he embodies hypermasculinity, the urge to hit and conquer and dominate physically, mentally, and spiritually.
Because Iron Man isn't as popular as the heroes those villains are connected to.
Eh, he's had plenty of stories where he was treated very seriously. Also, Joker often is not treated seriously, and he's the most popular villain of all time.
The problem isn't whether they treat him seriously or not, the problem is that they have never mined the origin Stan Lee gave him. Stan Lee gave him an origin that combined the pathos of tortured super-soldiers like X-23, the pathos of abuse victims like Black Mask and The Penguin, and the darkness of a sci-fi version of the horrors Christopher Columbus perpetrated on natives he "discovered", robbed, and enslaved. That should have been a rich, rich source of stories to mine. And writers have done....nothing with any of it.
They've ignored it or glossed over it, and mostly focused on the rings. The rings are, by far, the least interesting aspect of The Mandarin. But writers keep right on focusing on them. It's baffling, like having Joker stories where the writer won't shut up about the mechanics of his acid-shooting-lapel-flower. Here's how it stores acid, here's the pressure mechanism, here's the lining that keeps the acid from burning Joker if the container is burst in combat, zzzZZZzzzzZZZZzzzzz. Or having stories where the writer glosses over everything about Doom except his armor. Here's how the armor is power, here's where the force-field generator is located, yada yada yada.
To any writers who might be using The Mandarin in the future: shut up about the stupid rings! Tell me about the Mandarin himself. Mine that amazing origin story Stan Lee wrote.