This keeps coming up but it is not accurate. Hickman was writing his Avengers books and he had left a number of Inhuman threads dangling from his Fantastic Four story that Fraction wanted to play with. Fraction did a load of work on it and consulted with Hickman on the Infinity book in order to set up his story.
Then Marvel threw a spanner in the works and started demanding a new direction for the Inhumans. Fraction kept adapting his work but there were clearly incompatibilities so Marvel took Inhumans away from Fraction. Fraction pointed out that he had spent months on the project at Marvel’s request and wanted to be paid for his time. Marvel said that unpublished work was not something they paid for and Fraction basically insisted which left a rift between him and Marvel.
Officially Marvel paid for the material and handed it on to future writers but how much of it was used is a secret. In other words we can say with near certainty that the direction established in Infinity bears very little resemblance to the travesty that Marvel were actually insisting upon and we ended up reading.
“And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, 'If this isn't nice, I don't know what is.” ― Kurt Vonnegut Jr.
With Jean, Wolverine and Cable on other teams in other parts of the world, I suspect that house will feel rather empty most of the time
I must say Jean and cable were soooooo cute. they have a chance to get time with their son they originally had lost.
ALL HAIL THE HADARI YAO, THE OMEGA'S OMEGA, BEYOND OMEGA, THE VOICE OF SOL!!!! NOW AGAIN THE ONE TRUE AND ONLY GODDESS OF THE X-MEN AS CLAREMONT INTENDED!!!!!
“And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, 'If this isn't nice, I don't know what is.” ― Kurt Vonnegut Jr.
Are they just not gonna address Vulcan? Cause i feel of everything, you probably should address Vulcan.
Oh yeah, and the fact we’re going straight into Arakko next month, with the Orchis scenes apparently setting up future plots, is as super Claremontian as the mid-fight conversations.