Hickman was spot on with the death thing, I'm so glad he understands that.
Reading List (Super behind but reading them nonetheless):
DC: Currently figuring that out
Marvel: Read above
Image: Killadelphia, Nightmare Blog
Other: The Antagonist, Something is Killing the Children, Avatar: TLAB
Manga: My Hero Academia, MHA: Vigilanties, Soul Eater: the Perfect Edition, Berserk, Hunter X Hunter, Witch Hat Atelier, Kaiju No. 8
I do find his comments interesting, especially given a comment he made in an earlier interview:
I have some general philosophies on what kind of work you should do at Marvel, that I try and adhere to. I think the stories should be big. Any time you can mine your continuity and the existing continuity of the company in a way that evokes a response from audience and not confusion, that’s powerful, and you’re crazy not to utilize it when you’re writing these books. The cardinal rule beyond that is at the end of the day, after you’ve torn up the playroom and scattered all the toys, you put everything all back on the shelf. Don’t be an a—hole and leave a mess. You want to tell stories that matter, but the way you write things that matter in Marvel is that you’re not destructive, you’re additive.
Excalibur was solid under Ellis. That’s one of his early works where I first noticed his name. TheStorm mini is utterly forgettable....I’ll forgive Ellis if you forgive Storm
Astonishing is a mixed bag.
For sure. There are certain elements that would really play to his strengths...her (relative) minimal history is a big one, but the sci-fi elements really seem like his thing.
Again, I won’t hold my breath, but it could be interesting. And Hickman did mention him by name in the interview.
“And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, 'If this isn't nice, I don't know what is.” ― Kurt Vonnegut Jr.
It's also not very Ellis to write according to somebody else's outline.
If I'd only read his X-books, I'd agree, but his Thunderbolts is great. His Ultimates Galactus stuff is great. Moon Knight is great. Secret Avengers was great.
Last edited by H-E-D; 10-28-2019 at 04:39 PM.
And you may notice that in this podcast he is clearly talking about moving things to a better place at the end of his run, NOT as some kept incorrectly interpreting ‘back as they were’.
We really don’t want to see the books back in the quagmire they have been in for years.
“And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, 'If this isn't nice, I don't know what is.” ― Kurt Vonnegut Jr.
Ellis wrote Nextwave, so I declare him an X-God by default.
I don't blind date I make the direct market vibrate
“And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, 'If this isn't nice, I don't know what is.” ― Kurt Vonnegut Jr.
Yes, his Moon knight was good. Mostly because of the art and clearly that was partly down to his writing. Thunderbolts was not great from my perspective.
I guess what I am saying is that him coming onto the books wouldn’t excite me. It might be good, who knows. I just don’t get the enthusiasm.
Last edited by JKtheMac; 10-28-2019 at 04:50 PM.
“And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, 'If this isn't nice, I don't know what is.” ― Kurt Vonnegut Jr.
Yeah this is why I don't get people who are screaming about 'Xavier's dream being dead' in this run. Hickman is not a cynical writer. We've seen in the future of 9 timelines that mutants always lose to post-humans but that's not going to be the case at the end. I can almost guarantee that the future of timeline X will be one of co-existence. No idea how he gets there but I'm very sure about that.
Sure some future writer will probably revert the status quo to another extinction plot but that's just the nature of comics. As for what Hickman leaves the books, I think it will be very different.
I can understand why they might think his dream is dead, that appears to be the setup and the current status-quo. I agree with your projection however. What I find interesting is that Hickman sees it more as introducing a new perspective into the mix with Moira. A new philosophy that conflicts with that of Charles, Erik, Apocalypse, Sinister, etc. That appears to be how he sees things structurally.
“And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, 'If this isn't nice, I don't know what is.” ― Kurt Vonnegut Jr.