I get the sense that for the most part, Disney doesn't actually care what goes on in the comics except for when A. it's something that provides them with fodder for future adaptations like movies, TV shows, video game and toys (which ironically, we're now seeing with several of those replacement characters) or B. when it's a total PR nightmare that brings a bunch of negative publicity to the company like Nazi Captain America.
The Holographic card covers of the 90s.
"The Marvel EIC Chair has a certain curse that goes along with it: it tends to drive people insane, and ultimately, out of the business altogether. It is the notorious last stop for many staffers, as once you've sat in The Big Chair, your pariah status is usually locked in." Christopher Priest
Usually i just buy comic books with the main cover but i have bought comic books with variant covers (There are some variant covers that i thought were even better that the main cover and in tpbīs i like that as a Extra it have all the variant covers collected,to see the different artistīs art styles) so the comic books having variant covers is not a issue to me as was the Holographic Marvel Covers of the 90s.
Yeah, I imagine that as hard as comic staff workers attempt to manage deadlines, perspectives, and quality control in a way that's responsible, irresponsible cases like with Avengers #200 still pop up and goes to show how seriously comic management should be treated, because the other Avengers seemed like cardboard cutout, childish characters that seemed incapable of fully comprehending the seriousness of Carol's situation.
I also imagine that if the story had been done with Carol attempting to explain her situation to blissfully ignorant teenagers instead of superheroes, I suppose any "ignorant friends" storyline going on would have seemed more believable, but the big difference is that Carol wasn't explaining her situation to teens who are ignorant about the outside world and the sorts of crimes that can happen in it, she was explaining her situation to fairly long-time superheroes that have witnessed criminal activity and criminals with hurtful, malicious intent on a daily basis.
I mean, with Beast being treated with discrimination for being a mutant and Captain America having seen wartime atrocities during World War II (and perhaps being familiar with the Rape of Nanking), I'm sure it's reasonably enough to assume that they'd realize just how bad people can be and how victims need to be shown humanity in the aftermath of inhuman situations, or at least how friends should show concern for their other friends when they're in a bad situation in general. I'm sure Iron Man's alcohol problem he had dealt with the previous year could have been used to help lead into that sort of feeling of empathy/humanity too. With Claremont being exceptionally keen on humanity in his comic writing, I can totally understand why he wrote Avengers Annual #10 the way he did.
Last edited by Electricmastro; 11-02-2019 at 10:54 AM.
"The Marvel EIC Chair has a certain curse that goes along with it: it tends to drive people insane, and ultimately, out of the business altogether. It is the notorious last stop for many staffers, as once you've sat in The Big Chair, your pariah status is usually locked in." Christopher Priest
I was talking about the literal Captain America story: Man Out of Time.
https://marvel.fandom.com/wiki/Capta...f_Time_Vol_1_1
I'm not sure, because though I do know of Strickland's article, I also recall a post that was later made known to me regarding how, historically, the perception of what constitutes rape had changed a lot over the 1980's. The poster said:
"It's very true. I'm old enough to remember when a rape victim had no hope of justice from courts or sympathy from police unless they were also the victim of an accompanying assault. Horrible incidents happened in my own family and went unpunished as far as I know. When I was growing up in Texas husbands and brothers were the only justice a rape victim might possibly have. I'm thankful our society has become more sensitive to the issue. No husband or brother should be forced to resort to vigilantism because the justice system won't recognize a crime."
So indeed, what Strickland said shouldn't be disregarded, but I don't think the bad experiences that others have gone through which weren't properly recognized and not fully brought to justice should be disregarded either. That's all.
Last edited by Electricmastro; 11-01-2019 at 08:42 PM.
How did this thread make it out so far without this?
That Osborn face gives me nightmares to this day, and I don't even hate the story!
Something that I do hate, though, and I don't know how it was allowed to exist:
Old sweet aunt NO MORE!
"The Batman is Gotham City. I will watch him. Study him. And when I know him and why he does not kill, I will know this city. And then Gotham will be MINE!"-BANE
"We're monsters, buddy. Plain and simple. I don't dress it up with fancy names like mutant or post-human; men were born crueler than Apes and we were born crueler than men. It's just the natural order of things"-ULTIMATE SABRETOOTH
The rape of Rogue.
Happened in X-Men #236. Granted, it's not as 'bad' (In the sense of being controversial) as was the rape of Ms Marvel or Gwen Stancy's relationship with Norman Osborn (HOW DID THIS HAPPENED?!!!!) but it's a forgotten bit of X-Story that I am surprised it's not referenced more. Granted, it was just one panel that was easy to just look over. Compared to what happened to Ms.Marvel which was a whole story. But nonetheless.