Bryan Hill: I’ve known Jonathan Hickman for a while, since my book Romulus. IÂ’ve always admired his mind and we’ve been looking for a project. He reached out to me while I was working on Titans, asked me if I would be interested in this next evolution of the X-Men, and I wasÂ… with caveats. I LOVE the X-Men, but I also had walked away from the books for a bit, not because they werenÂ’t great books, but I got lost in the continuity and never felt like I could catch up. Hickman shared his House of X plans with me and I was hooked right back in, I felt fluent again. From there, we talked characters.
Ever since Elizabeth Braddock separated from Kwannon, IÂ’ve been concerned about what would happen to Kwannon. I didn’t want her lost in the shuffle because IÂ’ve always thought she was an underdeveloped and interesting character.
I also felt that there was a tremendous injustice in Kwannon being robbed of the agency of her own body. How would she feel part of a mutant community that she’s never actually known? That’s where the conversation started. When I realized that I could have Psylocke, the one I identified with as a kid, then I was in… but I still didn’t want to do something rote. I’m not particularly good at banter–action–banter–joke–action, and right now I’m going through a personal transformation that I think shows up in my work, where my mind is. I told Hickman I wanted to do something that was lyrical, philosophical, and about the role that warriors play in a utopia. I wanted to explore identity and purpose and how peace itself can be an enemy. I also wanted to explore what would happen if mutants left humanity to evolve itself, and what the role of technology would be in that. There’s a lot of William Gibson in this. A lot of futurism. From those conversations, I came up with a story and we moved forward.
When I think of the phrase “Fallen Angels,” I think of Lucifer, in a mythological sense. Lucifer the Light-bearer that saw no justice in Heaven and rebelled against it. Lucifer punished by a lake of endless fire, but in a Miltonian sense, reigning in Hell rather than serving Heaven.
What does it mean to be of Heaven but also an enemy of Heaven? Mutants leaving the human world behind creates a vacuum in evolution, and what will fill that vacuum? After a mutant exodus to Heaven, what will happen to the world left behind? What “gods” step into that world and how would they shape it? When you are given Heaven, how easy is it to cease to care about the world you’re leaving behind?
Those are all questions I wanted to explore and Marvel gave me an opportunity.