I own both issues and I've re-read them both. Dauterman may have done some of the heavy lifting, but seeing as how there are references to other stuff being seeded in DoX (the Children of the Vault, the Inferno references, a possible connective tissue on the egg theme that both Ororo and Lady Mastermind are trapped in) that Dauterman doesn't have direct involvement in, we don't know what the written script looked like.
I saw your comment on the last two issues, but my main point was the Giant size issue. And I wasn't necessarily coming for you specifically.
A lot of it went beyond predictions and was treated with absolute certainty. And people didn't have much to work with at the time to be treating anything with absolute certainty. it was more unchecked paranoia than predictions. And it all ended up being hilariously false and premature.
If it was the same story, it wouldn't show how Jean and Emma have a much more cooperative working dynamic than they did previously and function better as a team. It uses the past to inform how they act now by contrasting things. Same with how stand off-ish Scott, Jean, Logan and Emma were in the original issue but are much more relaxed now. It's working with contrasts, in which case the "echoing" is one of the more effective ways to convey it.
I haven't read Taylor's stuff, honestly have no plan or interest to if it doesn't inform much on the current era. That is a nice little scene though.
But this specific instance in HoX is one of the moments I see exaggerated and people not picking up on the subtext. Jean is capable of doing this feat by herself (as we are SHOWN a few pages later), that's not why she's yelling for Monet come with her. Monet intends to sacrifice herself and Jean is pulling this excuse out of her ass so Monet won't stay and die. Monet calls her lie and sends her away.
Not wanting people to die (even with the resurrection protocols in place) is in character for Jean. Especially as she experienced the mental deaths of Warren and whats-her-face a few moments before.