Originally Posted by
The Cool Thatguy
Whelp, the Maestro mini's completed, and I have to say I'm disappointed.
Peter David was an excellent writer who could seamlessly mix in spirituality, psychological and mythological overtones into his work. But of late, I feel as if he's either lost a step or has just stopped caring.
And to be clear, writing a climb to power for the Maestro wouldn't be an easy feat. The Maestro, introduced under PAD, was all seven deadly sins combined. It would have been a careful balancing act, regardless of the era it was written in.
Note, when I write my review, I will be referring to the original Future Imperfect, to explain my disappointment.
IMO, the misstep is in the beginning. We learn that Hulk survived the end of the world simply by not being there. In the original, Maestro is contemptuous of humans, mocking them for being worse than him. That he learned of all the destruction second hand, that he never saw it unfold himself, kinda dampens the punch of that. And that leads into the second and biggest mistake of this whole mini.
We, as readers, never really get an idea of where Hulk stands emotionally. Hulk spends years in a dream world with Betty and a family, yet when he wakes up, he never mentions them again. I remember someone once said that Hulk's only real status qou is change. He's dumb, smart, Banner in charge of Hulk, Hulk in charge of Banner, etc.
So where was this Hulk emotionally before he was taken? He never asks about Betty, or Samson. When he sees Abomination, he doesn't seem to see the man who killed his wife. As tragic as the end of the world might be for most, for Hulk it might be an improvement. Without an idea of where Bruce starts, his journey to the dark side just seems like a snap decision.
The worst of all, IMO, is that the prophecy that Maestro gives Hulk, "Persecution. Betrayal. Hatred. These things don't change." is 100% bull. Banner wakes up, protected from the end of the world, he's the one who betrayed Herc, who welcomed him with open arms.
There are other minor elements I thought were lacking.
For example, Hercules being the first Maestro makes a certain amount of sense. In Future Imperfect, he was willing to kill Hulk despite not knowing the full theory of time travel. That clearly implies that someone else was in charge or around.
But while I like Hercules, I don't see him as capable of forming and then leading a city. Infrastructure, a police force and a million other things would require a certain degree of attention or intelligence that Herc lacks.
And thematically speaking, I think it undermines Maestro's story in that all he did was make some robot dogs for the city. Part of what made him so terrible was that he had his own small patch of land, and simply didn't give a damn about anywhere else. That in the face of a scorched earth, he did as little as possible once he was comfortable. Now, we find out even that is gone, and everyone else did the work
Lastly, while I don't want to go into a full vs. thread, the Maestro's strength is vastly underplayed and like above, undermines the original theme of Future Imperfect. This poisoned world has created a physically unstoppable Hulk, a force of nature who mauled Banner when they met. He should have been at least one level above Hulk and while we may see that later, its underwhelming that we never saw a Hulk that the world should rightfully fear.
So yeah. Maybe his journey to villain was better left to the imagination.