Originally Posted by
salarta
This is an excellent piece and I'm happy to have seen it, thanks for posting.
I think a writer being told to write Lorna may be necessary to some extent, because short of Marvel hiring someone specifically because they're a Lorna fan, the prevailing attitudes and culture mean writers refusing to put any thought into her until they're put in a position where they have to think about her. However, having other characters around that those writers like more, or who they believe will garner more readership, causes problems because those writers seem to decide that Lorna should be written in service to those characters. On this note, Austen didn't really pick Lorna, but he was open-minded enough to look at what Morrison did with New X-Men #132 and over time considered her POV more.
In short, whether or not a writer is willing to take a real and unbiased look at Lorna makes a difference. Someone who has a hate-on for the character or has a huge crush on another character and thinks she could be exploited to promote said other character isn't really thinking about her. They're thinking about damage they can do to her, or what a useful tool she can be.
Distinguished disaster lesbian is apt. Waiting to see it come into play with Lorna and Jean talking about all the teasing and flirting they did in the early days when they start dating.
Unsure whether Rachel would be the one to hook them up, or act embarrassed when they're doing PDA.