Originally Posted by
Revolutionary_Jack
Oh yeah, there's an entire generation of "Secret Wars babies", i.e. people who read SW'84 as kids who have grown up to write Marvel in the last decade -- Ta-Nehisi Coates, Hickman, Zdarsky, Al Ewing, and in the movies you have Joe and Anthony Russo.
SW'84 is the comic that more than any after Kirby left and Lee stepped down, reintroduced the Marvel Universe to an entire generation, and it provided a gateway, tour, and showcase for the entire line of characters that Lee and Kirby and Ditko created, as well as a few new ones that came in after them, to an entire new audience.
In that respects it's the most successful event comic. The one that did what an event comic was supposed to do, and it marked a renaissance for the Marvel Universe. Compare that to COIE which is a mixed bag, in that it was ending the version of characters that an entire readership had known for decades and whose success created problems for new stories after that since the new readers who got in with Crisis had little reason to follow characters and stories that featured all new versions that they had no new emotional attachment to. SW'84 also has a timeless quality. It's a self-contained story that requires little to no familiarity with the status quo of the different characters plucked into Battleworld and provides a satisfying beg-mid-end for everyone. Which isn't the case with COIE, and for that matter SW'2015 which really doesn't entire work without you reading and knowing Hickman's run on FF and New Avengers/Avengers that leads into it.
It's amazing how Doctor Doom is the actual protagonist of the entire event. It's basically about how he plays everyone, his flaws and virtues, and his great tragedy. Like even at the end, he has a sympathetic quality, like when after he becomes God, Cap talks to him peacefully and offers to help him free his mother's soul, which was Shooter setting up Stern's Triumph and Torment which he had already greenlit and was in production...a great display of Shooter's generosity and far sightedness as both EIC and writer.
I think Shooter once said that Doom was his favorite character and he writes Doom brilliantly here and also in the AU crossover Superman and Spider-Man (a lesser known sequel to Conway's Superman V. TASM). The stuff with the X-Men and Avengers, and Shooter incorporating a more anti-heroic Magneto, despite some bits of camp and cheese (like Mags putting the moves on Janet), work as well.
For me, after Triumph and Torment, SW'84 is Doom's greatest story and greatest moment in comics.