I watch all of them, hoping to hear more about Stephanie Brown.
There was also a bit more fleshed out plans for Dixon's Blue Beetle Incorporated/Stephanie Brown Robin 6-month plan in this latest video, which I always love to hear.
Knightfall is remembered and beloved for a reason, I think, when nothing else but No Man's Land from that era is as much, though thankfully the new trades have made that period much more accessible again. Wish they'd release more of his Robin stuff, so I can get people to read Steph's early history...
I did not know about the "no more crossovers" thing from Denny, but I like hearing that kind of thing. I do wonder, though, about legacy from those kinds of choices. It's very fun to read the comics of that era, but how many of them "matter" in the ways that a crossover matters? How many of them get collected?
Dixon greatly respects Scott Peterson and Jordan Gorfinkel - he talks about them affectionately all the time. He was REALLY mad at his editor at the end of his time on Robin - and I'm not sure if he meant Matt Idelson, the main editor, or the associate editor, Michael Wright, because someone in that team refused to let him do his Tim as Blue Beetle/Steph as Robin arc, but literally the issue after Dixon left (101), they made Steph an alternate universe Robin in a very, very weak storyline (with some great concepts, but very poorly executed). I can't say I blame Dixon for being extremely frustrated with that whole situation, let alone what happened to Steph in War Games and Bludhaven later.
I still like Bruce Wayne, Murderer and Fugitive, because I love the character of Sasha Bordeaux, and it's full of really rich character and mood stuff. However, it is also very messy, and I think the fact that there's a ton of unnecessary stuff going on during Fugitive, and the villain isn't really developed until the very end, feeling almost like...they decided late in the story process, and thus didn't craft a well constructed mystery from the start.
I think the driver of Murderer/Fugitive was, indeed, Rucka - the other option is Brubaker, who wrote the afterward in the Fugitive trade - but the interesting thing is that Rucka himself has expressed extreme frustration with editorial on Fugitive, saying that his last several issues of Detective in that event were all by different artists, which indicates editorial interference in a massive way. I think it's clear that the period after Denny O'Neil left was not a very good one for the creators, even if I still like some of the stuff that came out then.