Originally Posted by
WebLurker
Honestly, Lex's whole plan made no sense to me. For it to work, he needed to know both Batman and Superman's secret identities (never established, as I recall) and that Batman wanted to kill Superman (how did he know that?) and that Batman would break his code to do it (maybe he guessed right, based on Batman having become a brutal thug to branded people, but still). It's too many cogs that need to be just right, too many coincidences that Lex can't control to make the plan work. And Doomsday was just overkill, at best.
Not in the movie. The bullet subplot in the extended edition just doesn't work on any level. First of all, Lex has to grab the idiot ball big time for it to happen; the bullets are custom-made only by his company. He literally left his fingerprints all over the scene of the crime. Secondly, having Lois trace the bullet is a painful waste of the runtime. It literally does nothing for the story as filmed; she's kidnapped by Lex right after discovering the truth and it gets dropped. The revelation does not factor into the story at all, not even by having her tell Superman before being kidnapped and so having Superman go to Lex and have Lex set up the Batman battle. Whoever cut this made the right decision. If they wanted Lois to have a detective subplot, there needed to be payoff that actually affected the final act (e.g. how Obi-Wan's tracing Jango Fett in Attack of the Clones has him find the clone army, the discovery of which lets Yoda bring them to the battle at the end).
We don't need that scene to show Batman's resolve; it made perfect sense on its own. It's just a teaser for the JL movies Snyder won't get a chance to make. That should've been cut, esp. since the things didn't work out and now it's just an abandoned thread in the DCEU. (I do get that the Snyder Cut JL movie can build on that, but that's a one off of a "part one" with no part two. This isn't going to go anywhere.) Marvel does this better, where these kinds of set ups are either incorporated into the story with relevance (like how the Infinity Stones were set up by putting them in movies where they could be the macguffins that drove the stories) or in stingers at the end, where they didn't hold up the main story. (The same goes for stopping the movie for Batman to watch teaser trailers of upcoming solo movies DC wanted to spin off afterwards.)
Am I making any sense here?
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As Carol Danvers herself said, the movie has nothing to prove; it was a critical and commercial success, that's not up for debate.
Iron Man 3, Thor 2, Winter Solider, Guardians of the Galaxy 1 and 2 (seeped) in it), Black Panther, Ant-Man and the Wasp, Endgame, and Far From Home did in one way or another, or with similar themes. We also get questions of where the line is drawn with oversight in Civil War, discussion of parent/child relationships in the Ant-Man movies, race issues with Black Panther, and Spider-Man struggles to find his place, as he always does. Humor does not equate to a lack of substance by default. Heck, a good case can be made that the pop music-filled, joke-a-minute space opera with talking trees and raccoons had more maturity then the grimdark clash of the Man of Tomorrow and Dark Knight that boiled down to a kid smashing his action figures together again and again.