I’m referring mostly to adopting stories from one medium to another.
I’m referring mostly to adopting stories from one medium to another.
I think we must look at each individual occurrence.
To quote Justice Potter Stewart in the famous pornography case;
"But I know it when I see it, and the motion picture involved in this case is not that"
There came a time when the Old Gods died! The Brave died with the Cunning! The Noble perished locked in battle with unleashed Evil! It was the last day for them! An ancient era was passing in fiery holocaust!
My “blind taste-test” measure of this is whether or not a description of it is just one move away from the point where literally no one could tell what it was originally.
For instance, if you removed the words “Cassandra Cain” from the Harley Quinn: Birds of Prey movie, no one would have any idea who Ella Jay Basco was playing at all. In contrast, The Lion King is recognizably still Hamlet because almost the entirety of the plot is derived from it, even if the names are changed.
Like action, adventure, rogues, and outlaws? Like anti-heroes, femme fatales, mysteries and thrillers?
I wrote a book with them. Outlaw’s Shadow: A Sherwood Noir. Robin Hood’s evil counterpart, Guy of Gisbourne, is the main character. Feel free to give it a look: https://read.amazon.com/kp/embed?asi...E2PKBNJFH76GQP
This is a good question, but I fear it doesn't has a succinct answer. Anyway I think those changes can be both no one than infinites, because every story is based on a series of concepts and tropes that are the backbone of the story, so if the authors start to change those concepts and tropes, then the story will become immediately unrecognizable, but if the authors are able to understand what are those concept or tropes and preserve them, then the story will be recognizable no matters how many changes are made; same thing if we are talking about a character or a franchise. A good example of that is Star Trek: how many changes are been made with the various series and the various medium? Still all those variant are Star Trek, but a series set in a fantasy world, where the Enterprise is a galleon, where Spock is an elf, the klingon are orks and the United Federation of Planets become an United Federation of Islands, wouldn't be Star Trek, even if every episode of this new series would be the adaptation of an episode of the Original one.
Last edited by Gotham citizen; 06-03-2020 at 12:46 PM.
«It's like kids trying to write stories for adults or something.»
There is an huge difference among write a good story and try to write a great one.
«Heroism is not about being perfect or always winning, but breathing hope into the hopeless.»
Batman's world isn't realistic. It's grounded in psychological realism… In real life, Batman's crusade would be a horrible idea.[…] But in the world Batman inhabits, it not only makes sense, it's absolutely the right thing to do.