Even if you think he is a bad director or writer he clearly does respect comics and uses a ton of imagery in his movies. If the MCU can be praised for respecting comics when they mock the characters idk how Zack doesn't respect comics
Even if you think he is a bad director or writer he clearly does respect comics and uses a ton of imagery in his movies. If the MCU can be praised for respecting comics when they mock the characters idk how Zack doesn't respect comics
Never heard many people down Snyder or say he doesn’t respect comics.
Some don't like his interpretation of the characters he uses. But other than that I've never seen anyone say he dislikes comics as a medium or on the whole.
Last Read: Aquaman & The Flash: Voidsong
Monthly Pull List: Alan Scott: The Green Lantern, Birds of Prey, Daredevil, Geiger, Green Arrow, Justice Ducks, Justice Society of America, Negaduck, Nightwing, Phantom Road, Shazam!, Suicide Squad: Dream Team, Thundercats, Titans
I definitely think dude respects comics.
I just think he really respects the Frank Miller ouvre and that's not what I want to see get translated to film as the "main DCCU series". Like, what he's translated so far is from the 80s. And pretty much only from the 80s. Unless you count Shaggy Aquaman which is from the early 90s.
I'd be more than happy with the Frank Miller style stuff being made into movies that aren't the main thing.
Retro315 no more. Anonymity is so 2005.
retrowarbird.blogspot.com
Yeah, I think his respect for comics is known, it’s just that his taste is somewhat off-putting to people.
I think MOS was a genuinely good Superman movie in part because he lucked into having David Goyer have a good day when writing the script made plot for the story; Goyer’s more inconsistent than I’d like, and he’s definitely got a few weaknesses, but I think he added a more solid and straightforward framework to Snyder’s own vision, which I think seems more likely to wander and meander non-commitally. BvS can’t quite figure out exactly what it wants to do with its two main characters, and it and JL were pretty bloated and sprawling when they arguably required more focus to best exploit a larger cast in both cases.
Like action, adventure, rogues, and outlaws? Like anti-heroes, femme fatales, mysteries and thrillers?
I wrote a book with them. Outlaw’s Shadow: A Sherwood Noir. Robin Hood’s evil counterpart, Guy of Gisbourne, is the main character. Feel free to give it a look: https://read.amazon.com/kp/embed?asi...E2PKBNJFH76GQP
well i have and even made a reddit post. some people were saying he respects comics while others were saying he didn’t and when i presses them on other issues like how marvel mocks superheroes like antman and the guardians he said they were jsut jokes
I think he has a clear love for comics and is making the movies he wants to make. It's just that the comics he prefers and the interpretations he puts out there don't land with everyone and are not suited to broad mass market appeal. They'd be better suited for smaller experimental projects.
This explains it about Snyder and DC Comics:
https://m.youtube.com/watch?v=IIfxrpWEDLc
I despise Man of Steel and BVS (Justice League is just...oy) but I would never argue that Snyder doesn't have loads of love and respect for comics. Too much, perhaps, if Watchmen is any indication, which displayed a real love for the source but, frankly, a lack of understanding what made it great.
Which is even more true when it comes to Superman. The dude doesn't understand Superman in even the tiniest, smallest, most minuscule amount. Like, seriously. I've never seen someone write such a significant take on Superman who understands the character less than Zack Snyder. Or, alternatively, he does understand Superman and then went out of his way to make his Superman as unlike Superman as possible, which means that he may love and respect comics in general but not Superman.
Either way, all of this is besides the point. Snyder was an awful choice right from the beginning because he's well, just not a very good filmmaker. No, let me rephrase. He's a "good" director in that his films do tend to look impressive (if you like that whole muted colour palet that he relies on so much, anyway) and he does have a distinctive style but his films tend to be vacuous and/ or badly told almost without fail. I mean, have you seen Sucker Punch? Good lord.
Sorry Snyder fans, I'm glad to see the back of him and DC's films will be all the better for it.
Check out my blog, Because Everyone Else Has One, for my regularly updated movie reviews.
No.
Snyder certainly does not respect comics at all. So what if he "uses a ton of imagery in his movies?" Poses and costume homages are completely irrelevant compared to the characters and storylines, and Snyder doesn't respect those at all.
Superman is an aspirational hero. He is not plagued by self-doubt and uncertainty, he does not view being a hero as some great burden and he certainly wouldn't question whether or not humanity deserves to be saved. To say nothing of Snyder's depiction of Jonathan Kent. "Maybe you should have let him die" indeed. That right there shows his total lack or respect for the comics.
As much as I dislike Batman even I realise he's meant to be the world's greatest detective. Snyder depicted him as a moronic thug who let himself be completely fooled by Luther.
Go on YouTube and watch Professor Geek's videos for more detail. He's a genius when it comes to comics and storytelling- https://www.youtube.com/channel/UCb1...DrUoEYW1yiO-tQ
None of this exactly contradicts what I said? Nobody had pre-conceived notions of the Guardians or Ant-Man going in, so therefore they let the media influence how they see them even more readily than characters they have previous exposure to. Especially if that media is generally regarded as good.
But again, nobody except extreme fanboys care about the changes from the comics if the media is executed well. Especially the case of the Guardians.
You can never please 100% everyone, but nobody can claim that the MCU didn't please the biggest number of people they could. I'm not even a big MCU fan, but you can't argue with their results. They made the general audience care about a bunch of small names. The cast was MASSIVE in Endgame and the work was put in to make the audience care at least about a big chunk of them, if not everyone. That's why I said they did much more with much less, and adaptation changes can be embraced if the product is good.
Our two options shouldn't have to be only a Reeves rehash or Snyder's take. And even Snyder was a bit of a rehash of the Donner movies, just with a gritty gloss thrown over it. It's not that general audiences or comic fans alike are THAT difficult to please. Perhaps more so with Superman, but not to the point where it's impossible, and it's easy to see where both Singer and Snyder went wrong.
It's a deconstruction by trying to inject some reality into Superman: the world doesn't respond universally positively to him, they project messiah archetypes onto him that he denounces but the narrative also tries to have it both ways by associating a lot of Christ imagery with him, the consequences of the fight between him and the other Kryptonians is very destructive and he DOES cause some damage himself, other options to get rid of Zod are avoided so he can kill him as he realistically might have to, the Kents struggle to be ideal parents with good advice, he doesn't arrive in time to prevent Jimmy from being murdered, Batman is a psycho who has lapsed into killing and only learns he's needs to kill the right people, etc. Basically flipping a lot of standard tropes we associate with Superman in the name of realism, and in the JL cut apparently Wonder Woman was going to fail to save the hostages and they'd die. Because in reality you can't save everyone or whatever (we live in reality- we really don't necessarily need a reminder that it can suck in our escapist entertainment). And it comes right out of the gate with these things, defenders say we shouldn't bring pre-conceived notions of the characters into the films, but it is also banking on their pre-built recognition and popularity to sell itself. It might be a neat idea to do a few films in after audiences had grown to like these versions, but it was too much too soon. MoS going very well despite being divisive shows people craved a Superman movie and there was potential, but his death was met with apathy among the general audience because not enough work was done to get us to love this version of Clark. This would have been helped slightly if the director's cut was released, but not by much and then you'd have an R-rating for a movie that was marketing toys to kids.
Superman didn't need a deconstruction, he needed a clear hit that reminded people how great he is the way the MCU has done for far lesser known characters. And that isn't to say I think Snyder didn't read or respect Superman comics, he just came away with an idea that didn't have mass appeal or at least wasn't suited for a clear hit needed to launch a film franchise.
Plenty of that going on from both sides tbh. Comic book fanboy hive mind isn't unique to one group over the other
To be fair to Snyder and the people who hired him, his Man of Steel was a reaction to the lackluster Superman Returns.
I mean, if Superman Returns never happened, I don’t think Man of Steel would have ended up like it did.
I just think TPTB took the wrong lessons from Superman Returns failure.
Doing a deconstruction of a figure, like Superman, who’s already had many interpretations and movies is not necessarily a bad thing. In fact, it’s a good thing, to keep the IP fresh.
However, I think MoS came out at the wrong time and definitely the wrong movie to build a superhero franchise universe off of.
Last edited by Will Evans; 06-04-2020 at 07:05 AM.