Glad we find some consensus at least.
Lebron's point is that an American film based on American comics about an Afro-Futurist country, still revolves on the demonization and criminalization of an African-American who grew up poor in the Oakland projects, and who dies at the end where his rebellion as framed as "going too far". It's not the same thing as a movie by an African film-maker about relations with the US diaspora where obviously a critical view would not be unwelcome.Most of what I have issues with this critique with are summed up above, but it also sounds to me like Lebron here has an issue with African nobles being uplifted over African Americans. Which is refreshing to me. Do they ever get that kind of treatment in Hollywood or by African Americans themselves?