Larraz and Silva pretty much are synonymous with this current era despite not being regulars on any of the ongoings
Larraz and Silva pretty much are synonymous with this current era despite not being regulars on any of the ongoings
Bachalo's early Gen X art was beautiful. I haven't enjoyed his art in decades. All his female costumes look the same these days, either black leather with the breasts and belly button out or some kind of weird ballet tutu.
They're responsible for the design work on the various concepts synonymous with Krakoa now, right? No matter who draws any of those things, we'll always be reminded of the guys who designed them and drew them first so beautifully.
Originally Posted by The General, JLA #38
You wouldn’t, I would… I don’t remember in any comic I liked swooning over the artwork.
It was years later that I remarked, these comic artists were great… It is by no means minimization: it is just talent that is not showy.
But, it is possible, the comic market has changed a lot.
“Strength is the lot of but a few privileged men; but austere perseverance, harsh and continuous, may be employed by the smallest of us and rarely fails of its purpose, for its silent power grows irresistibly greater with time.” Goethe
Certainly, art is important but when you read the story, you are immersed in the story… so being able to appreciate an artwork is done later.
And most of talent of a comic artist is in the choice of point of views, the transition between panels, the pace of the narration, the capacity to draw anything, to convey feelings… all things that are not obvious at first glance. It’s not a small amount of job and skills.
“Strength is the lot of but a few privileged men; but austere perseverance, harsh and continuous, may be employed by the smallest of us and rarely fails of its purpose, for its silent power grows irresistibly greater with time.” Goethe
60s: Kirby and Neal Adams
70s: Byrne and Cockrum
80s: Paul Smith and Silvestri
90s: Jim Lee and Joe Madureira
00s: Quitely and Cassaday
10s: Immonen and Bachalo
Bachalo has a long history drawing the X-men.
But in the 10s he had the opportunity to redesign them.
You may like it or not, but his X-visor Cyclops and his Magik are iconical.
And Immonen is the most important artist in ALL mainstream comic book industry in the 10s.
So he gets on this list easily.
Last edited by Mutant X; 10-05-2020 at 12:33 PM.
I think this is spot on.
I'm trying to think of a challenge to the idea of Immonen being most important artist in mainstream comics in the 2010s, it feels like he was never a superstar the way we think of other decade defining artists but I cannot think of who else it would be?
David Aja? Marcos Martin? David Finch? Chris Samnee? Capullo? Ribic? Walta? Gerads? McKelvie?
Gosh in terms of influence its CLEARLY Immonen if you look at Marvel's house style now.
Probably Cassady from Astonishing.
McNiven's big book is Civil War and that's the previous decade. What work did McNiven do in the 2010s that people remember?
Opena for the Uncanny X-Force costumes. Core team would be Quietly, Cassaday and Bachalo.
You cannot be immersed in a story without art especially with the type of narrative that is used in comics.
Yes thats the point. Comic artists are half responsible of deciding how the story turns out and which direction or genre your going in. Like for instance there is a whole lot of difference between Sandman and X-Men because you can generally recognize difference between the style of art is used in both and not just because they are different. X-Men too have certain dark fantasy comics.
Last edited by Vishop; 10-05-2020 at 10:41 PM.
Bachalo sure put out a lot of work on the x-books this past decade and came up with some memorable redesigns, though I would say nothing tops his GenX work. And one can clearly see the influence of Immonen on Larraz and Silva's work (hell, Silva was the poor man's Immonen for a while).