I don’t really know how to. There’s a bunch of great moments but I don’t know if they will be great without all the build up Priest does. Put it this way: What Morrison did for Batman, Priest did for Deathstroke to me. He wrote Slade as the hyper competent badass he is, showed that he does have some sympathetic traits like Wolfman wanted, but ultimately he’s a dude who kills people for money. He’s not an “anti-hero” or even an “anti-villain”, he’s a villain plain and simple. It’s the best composite of all the Deathstroke takes I’ve seen, respects the last while moving forward. It’s a dark, cynical book:
But also a book that’s funny as hell:
Up to you if that’s your thing.