AIPT: How does it feel to be done with the Warworld Saga?
Phillip Kennedy Johnson: Amazing. The Warworld Saga was always the plan when I came onboard Action Comics, and now it’s finished, every bit as ambitious as when we envisioned it. I still kind of can’t believe we got away with it. DC Comics let us tell a Superman story about human trafficking, refugees, and the dangers of propaganda and hero worship, while also telling a story about what it means to be Superman, by definition, the best of us. We got to transform Warworld, introduce a ton of new characters, and make Superman’s family a little bigger and a little richer… I couldn’t be more proud of it or more grateful to all my collaborators on the series.
Because of the off-world setting, there are a lot of characters and settings I haven’t had a chance to write yet, and I’m incredibly excited to bring Superman home in September. We’re about to explore Metropolis just as thoroughly and thoughtfully as we explored Warworld, so stay tuned.
AIPT: Did it all turn out the way you’d hoped or did the “map” shift at all?
PKJ: With comics, I’m a pretty meticulous outliner, but it’s always with the understanding that it will invariably course-correct throughout the writing process. Something that reads well in the outline suddenly makes less sense when I go to page breakdowns, or a decision a character makes in the page breakdowns feels implausible or out of character when I see it in the actual dialogue. I always try to get it as right as I can in the early stages, but no matter what I do, the story always changes, and it’s always best when I let it.
In the case of The Warworld Saga: because it was such a long-form story, lots of things through the middle chapters changed quite a bit, but ultimately we ended up more or less where I wanted to go. Probably the biggest change is that a character I invented for the express purpose of getting killed ended up surviving, and a character I intended to live is about to get killed. But in both cases, the story is better this way.