Originally Posted by
Comic-Reader Lad
Speaking of directing, I can see that Patty Jenkins is simply not a skilled enough filmmaker to nail those wannabe Spielberg transcendent moments. When Steve comes back to life and appears out of nowhere, it's treated like Diana just saw a friend who was returning from summer camp. The camera revolves around them about a hundred times in some clumsy effort to make the moment seem big, but it just doesn't. There was no exuberant joy, no swelling of emotion, nothing. I got more of a lump in my throat from the first movie's No Man's Land scene, but nothing in this movie thrilled or excited me -- and I kept waiting patiently. When Diana renounces her wish, the moment needed to breathe so we could really feel her inner conflict and then sense of loss, but she was just off and running to get the bad guy.
It's probably for the best that this wasn't released in theaters in the US because the backlash against the movie would be much more pronounced and likely would have had a massive second week drop causing further damage to the DC brand going forward. Now, this movie can die quietly, and HBO Max can tout how "thrilled" they are with how many people watched it -- something that isn't as easily provable like box office results.
The talky, touchy-feely climax where Diana is just laying there talking to the world through her lasso's connection to Max Lord was such a letdown. It reminded me of the CW shows where when Caitlin goes evil on The Flash, they scream at her saying things like "This isn't you!!!" until she gets control of herself. Why the hell would the entire world listen to Diana over the satellite connection in the first place when they had no idea of who she was and had never seen her?