I think some of the dialogue is spotty at times and that it’s like “huh” for me. Eyeboy comes off like a real simpleton that’s now smitten with David’s reading? Ok.
I think some of the dialogue is spotty at times and that it’s like “huh” for me. Eyeboy comes off like a real simpleton that’s now smitten with David’s reading? Ok.
I'm a father, I have a daughter.
If my daughter died and I was a former detective, and there was an ongoing investigation I'd pretty much expect to at least be updated by them. I guess if I was super powered as well, I'd quite possibly insist that I was involved with the investigation.
Sigh. I really want to like this title. I like its premise, I like all the characters in it, and Leah is mostly good at writing about their relationships and interactions. But I feel both her and Tini Howard have no sense of pacing and structure, with the latter being much worse, although both come across as if they were fan-fiction writers.
Leah in particular clearly love these characters and their history, and she excels when it's all purely character stuff like last issue which was pretty good. But when she switches to "story-mode" it all feels over-written and with little sense to it.
X-Factor has been pretty good with character moments so far but I feel it's missing its own story running in the background to anchor it, where it instead wanders aimlessly from the Mojoverse to X of Swords to a decade-old plot from the old X-Factor series.
Though if memory serves that wasn't his fault...didn't Black Tom take her away after she was born and such...
Yea, Black Tom erased her records after her mother was killed in a bombing and raised her on his own (into a life of crime).
^ Good point. But yea, now that Franklin isn't a mutant anymore that does complicate that explanation. Still I could see it as being something Prodigy would be interested in investigating.
I liked the cop with the Yorkshire dialect, because I’m from there. More pandering to UK regions in X-Books, pls.