I kind of see the “tactical” design idea as being similar to the original “strongman” connotations of the earliest superhero spandex; it was a visual shorthand for communicating the character “business” of doing the amazing and cool.
Now... I do think that somewhat says something less than flattering about modern pop culture psychology, mind you.
But on some level, it’s an aesthetic change in costume design the real world has had for a while that simply feeds into modern TV and movie design for superheroes.
And I’d say the main reason you don’t see many attempts so much to do “spandex” even from hardcore fans may be that after decades of colorful spandex having far more association with superheroes than anything else, it’s not so much that it’s seen as “lame” as it is seen as “bland.”
Like action, adventure, rogues, and outlaws? Like anti-heroes, femme fatales, mysteries and thrillers?
I wrote a book with them. Outlaw’s Shadow: A Sherwood Noir. Robin Hood’s evil counterpart, Guy of Gisbourne, is the main character. Feel free to give it a look: https://read.amazon.com/kp/embed?asi...E2PKBNJFH76GQP
TBH I suspect the origin of the tactical superhero outfit has its origins in it being cheaper than making Michael Keaton buff.
I love how simple, yet elegant this costume is. I loved the look of this character in the film
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Totally agree ^^