This was released a week or 2 ago. I think it's another great Scorsese movie. I will say they did Brendan Fraser and John Lithgow dirty. Fraser is an Oscar winner this year and he's just barely featured in the trailer and Lithgow is a two time Oscar and Emmy nominee/winner and they don't even bother to show him.
Both are barely in the movie so why should they advertise them?
Tolstoy will live forever. Some people do. But that's not enough. It's not the length of a life that matters, just the depth of it. The chances we take. The paths we choose. How we go on when our hearts break. Hearts always break and so we bend with our hearts. And we sway. But in the end what matters is that we loved... and lived.
It's a gripping trailer and the film sounds like interesting subject matter.
This and Oppenheimer are really the only films that have my interest (well, and Egger's Nosferatu of course).
Things I love: Batman, Superman, AEW, old films, Lovecraft
Grant Morrison: “Adults...struggle desperately with fiction, demanding constantly that it conform to the rules of everyday life. Adults foolishly demand to know how Superman can possibly fly, or how Batman can possibly run a multibillion-dollar business empire during the day and fight crime at night, when the answer is obvious even to the smallest child: because it's not real.”
The book was great! History that I wasn't aware of, with a connection to the FBI. Definitely looking forward to seeing the movie.
Namor the Sub-Mariner, Marvel's oldest character, will have been published for 85 years in 2024. So where's my GOOD Namor anniversary ongoing, Marvel?
The trailer looks real good.
I got this audio book and listened to it years ago. I remember it being interesting, but nothing specific about it.
It's Scorsese with Leo and DeNiro, so it should be good. But honestly, I'm actually a bit annoyed that he made this and not Devil and The White City, which I desperately want to be turned into a film.
I tried watching Dunkirk, and turned it off after about 40 minutes (if that). It was the first time I've ever felt intensely bored in a war film.
Tenet was the first movie that I ever had to turn the subtitles on to understand the dialogue, because the audio mix was so unbalanced. The score and every ambient noise drowned out the dialogue. I had a similar complaint when I watched Oppenheimer.