We're heading into a new era of Superman comics, and it's being spearheaded by Jon Kent's inheriting of the title, and quite a few people-- myself included-- have noticed that Jon's Superman shares some stuff in common with the New 52 Superman. While this remains true, and what I feel to be part of the idea behind this (the general idea of a young, single Superman still trying to figure it out), I think there's a deeper, more direct inspiration
I'm talking about the Superman 2000 (aka Superman Now) pitch by Grant Morrison, Mark Millar, Tom Peyer & Mark Waid. This is holy text to quite a lot of Superman fans-- especially the Morrison subsection. It's always represented the ultimate What Could've Been of the Superman IP in comics. And it stings even worse when three of the most respected and beloved Superman stories take directly from this pitch (All Star, Birthright, and Red Son). All Star Superman in particular lifts the most from the 2000 pitch and also just so happens to be maybe the most beloved and respected Superman story of the 21st century with no sign of being dethroned.
Here's the pitch if you haven't read it
https://sites.google.com/site/deepsp...-2000-proposal I'll be referencing back to it, so you may want to take a look.
Power
First off, one of the
biggest aspects of Jon Kent's Superman that has been brought up by his current writer (who is specifically setting the stage for Taylor to takeover) is that Jon Kent is very, very, VERY powerful. This is in every interview Jon is brought up, it's in the Superman book, and it's expressly stated in Action Comics. The thing is, this is also the thing that defined the Superman from the Superman 2000 pitch. There it's stated that Clark gets three times more super in every single way, and that shifts everything about his life, and is the crux of the pitch.
One of the defining aspects of Clark's new level of power is that his curiosity and creativity have gone way up. This is replicated in Jon, but not as a result of his powers, but rather a natural aspect of his personality. When PKJ was describing how Jon and Clark contrast he said that Jon was more outgoing and creative. This is then demonstrated in issue 31 of Superman where Jon uses his heat vision in a way that Clark never thought to and is apparently unable to.
"More Alien"
Another really big part of the 2000 pitch was the idea of making Superman a bit more remote and alien as he adjusts to his new senses and power. This doesn't translate over to Jon 1 to 1 because it's not about his powers in this case. But it does translate to him when you remember that PKJ has characterized Jon as a "man out of time" both in interviews and in the comics themselves. He says that Jon Kent feels like he has no anchor, time, or place he belongs to because of his very strange life, so "he's always one that's searching".
This corresponds with what the Superman 2000 pitch feels to be the defining moment of Superman's character. "The scene with Superboy and the grasshopper in Miracle Monday nails it beautifully; this could be the world’s scariest living being, a detached, scientific observer with the ability to experiment upon us all. Instead, this brilliant Kryptonian brain was introduced to the noblest of human values and somehow those great powers were put to use in the service of an ethical code the Kryptonians would have been impressed and startled by."
I'd say this in replicated in Jon's section of Infinite Frontier #0. Diana and Spectre are basically debating on how if Jon will go bad because of him technically being so removed from everything around him, and being a man out of time. It ends with Jon proving that he's inherently good and will do the right thing. PKJ clarified this story on a podcast because some of us were confused on the meaning (myself included). He said that the story was about proving Diana right, and saying that even though he could be the most dangerous thing around, he's a good person and a Superman down to his core.
Training to be a Superman
Similar to JSA finding and training Clark, Jon is found and trained by the Legion. And in a similar way to Doc Fate saying that they need to ready Clark to be the greatest hero of them all, Brainy said that they needed to ready Jon to be the "one true Superman". And the Legion remains a very big aspect of Jon's story going into both PKJ and Taylor's runs. The solicitation for Son of Kal-El #1 even brings up the training, and Jon's whole character in PKJ's run so far is driven by what he knows of the future. Plus, we know that Taylor will be revisiting Legion stuff (specifically Saturn Girl stuff).
Greater Focus on The Fortress
the 2000 pitch really wanted to devote some time and effort to the Fortress, and the same seems to be true for Jon's Superman book. Issue #2 of Son of Kal-El makes a point to not only bring up Jon getting the keys to the Fortress, but also characterizes it as a very fun thing in a wishful sort of way.
Solaris
Future State had Solaris one of Jon's main foes that he's fought countless times. This is particularly interesting because Morrison created Solaris, and the first time he's meant to show himself is to fight, yeah you guessed it, the heir to the Superman title.
On top of that, Taylor will have Jon dealing with climate change. Solaris is a literal sun. The leap isn't hard. While you get the core message out, you still need something for Superman to eventually punch. If the issue is global warming, then what better way to dramatize that than to have Superman fighting an actual manmade sun?
Superman Secondus and DC never letting go
Don't know how many know this, but Jon's suit from Future State and from the upcoming Son of Kal-El are heavily inspired by Secondus' look in All Star Superman. This is no surprise because Morrison has been confirmed to be someone giving suggestions on the Superman line.
But the interesting part is that even as far back as Lewis and Timms on Superman of Metropolis,
it's been confirmed that they didn't come up with that suit, but rather it was given to them. And now a slightly changed version of it is being given to Taylor and Timms.
What some people don't get about big two comics is that very rarely is it *just* a writer and artist coming over, saying they have an idea, and being allowed to tell that story start to finish with no changes or input. Lots of times it's more like English homework where you get a writing prompt with guidelines and rules. One recent example is Superman of Metropolis requiring that Lewis write Jon Kent shrinking the city. Or even the fact that PKJ didn't come to DC with the idea of House of El, but rather they came to him with that prompt and he filled it in. Hell, even Jon Kent being on the Legion wasn't a Bendis idea (and neither was the age up). It was a mandate by DC.
Jon Kent is very easily one of the most carefully looked after characters in DC right now. PKJ brought up that even beyond his book or Taylor's book, Jon is linked to a whole bunch. So I imagine there are writing prompts for him for anyone using him. One of those prompts may very well be the revival of the Superman 2000 pitch via him. I mean, Morrison and Waid are right there to give their stamp of approval.
Plus, DC doesn't throw anything out. "Well, this wasn't even published" you say? Remember the story of how Crisis was originally supposed to end? Earth-2 Superman was supposed to take Earth-1 Clark's place and removed the old man make up and wig to show that he was still young. Well, look what happened in Rebirth/Superman Reborn!