The children had an awful picture of Hugo standing for a second with the writhing form of his attacker above his head. Then he flung it aside, over the circle that surrounded him, and the body fell with a thud. It lay without moving. Hugo began to whimper pitifully.
That was Hugo's first fight. He had defended himself, and it made him ashamed. He thought he had killed the other boy. Sickening dread filled him. He hurried to his side and shook him, calling his name. The other boy came to. His arm was broken and his sides were purpling where Hugo had seized him. There was terror in his eyes when he saw Hugo's face above him, and he screamed shrilly for help. The teacher came. She sent Hugo to the blacksmith to be whipped.
That, in itself, was a stroke of genius. The blacksmith whipped grown boys in the high school for their misdeeds. To send a six-year-old child was crushing. But Hugo had risen above the standards set by his society. He had been superior to it for a moment, and society hated him for it. His teacher hated him because she feared him. Mothers of children, learning about the episode, collected to discuss it in high-pitched, hateful voices. Hugo was enveloped in hate. And, as the lash of the smith fell on his small frame, he felt the depths of misery. He was a strong man. There was damnation in his veins.
The minister came and prayed over him. The doctor was sent for and examined him. Frantic busybodies suggested that things be done to weaken him—what things, they did not say. And Hugo, suffering bitterly, saw that if he had beaten the farmer's boy in fair combat, he would have been a hero. It was the scale of his triumph that made it dreadful. He did not realize then that if he had been so minded, he could have turned on the blacksmith and whipped him, he could have broken the neck of the doctor, he could have run raging through the town and escaped unscathed. His might was a secret from himself. He knew it only as a curse, like a disease or a blemish.