The real problem is that this motivation and drive, which is inseparable from Warren makes the guy dysfunctional as a comic supervillain who are there to entertain. And comic villains entertain by primarily being remote and removed from evil that is accessible to the general reader.
Green Goblin killing Gwen Stacy by knocking her off a bridge is something that's been sentimentalized and romanticized partly because it's a style of murder so remote from real-life. You can make Alex Ross covers of Goblin and Gwen framed in Spider-Man's eye in a sinister romantic style (
https://www.chasingamazingblog.com/w...vels_cover.jpg) but in real life you can't put posters of Charles Manson and Sharon Tate in a similar style, or you know the Columbine Killers next to victims. If you were to treat real-life villains and criminals the way it's done in comics, you would be seen as perverse, gross, insensitive to say the least. But because the Green Goblin is an entertaining character in the comics, i.e. his gimmick, and the overall style, and the intensity of his battles with Spider-Man and again the remoteness of the situation of a dude dropping a blonde girl of a bridge as opposed to someone wearing a goblin mask and killing people in a school shooting...gives it a grand high operatic style.
In the case of Warren, creepy professors perving on students is the kind of institutional abuse that's accessible and familiar as opposed to being remote, and that's one of the major reasons (aside of course from bad costume, nonsensical moniker, and just poor design all around) that Warren fails as a serialized comic villain. He fails to entertain.