Are you saying that your impression was that fans were positively rating new52 works and are now review bombing the stuff that came afterward so it just has lower user ratings all around? If so that theory's pretty ridiculous on its face. but more than that, when stuff gets review bombed, it isn’t just because fans hate the content (altho they certainly may) but its also because they hate the company’s decisions… in either case this is a poor rationalization and doesn't speak well for the current state of affairs. Also goodreads which was the other site they used is far from a troll site/bomb site. Its actually a very clean site where people tend to use their real names and write thoughtful reviews and without pay incentive.Originally Posted by Green Goblin of Sector 2814
Its clear from this thread that many don't share your perception and broad statements based on your recollection of what you believe others think are of greatly limited use. Its a logical fallacy and you can't even quantify it. The breadth of one's memory is confined to the limits of your personal experiences and exposure resulting in an inherent selection bias. Your perception of the past ( and this is true for everyone) is influenced by an unknown number of other biases to varying degrees and by the passage of time. It is best to acknowledge this.What I do put stock in is the discourse and for those who were around at the time, they'll remember that the discourse around the New 52 was veeeeeeeeeery negative
Having said that, I have a significantly different recollection too. Mines is of people expressing acceptance and excitement of the New52, especially by my daughters friends. In online single issue discussions, people were positive. The exceptions were when sometimes…occasionally… Id get a link to a ridiculously formal sounding essay against the New52 written on a fan site by an obvious male. their argument was centered on personal grief over loss of legacy, betrayal by DC, and other maudlin nonsense. In many cases I would discover they had been obsessively copying and pasting the same exact thing to multiple boards all over the net (this is something only males do, for some reason) raising the question that they were an autistic adult. Nothing wrong with that, but the behavior is hella weird. They often looked and communicated like this individual (remove the two spaces)-- https:// disqus .com/by/disqus_rh3NZL0u9m/
That last sentence is satire but the rest is all true . Circling to my earlier paragraph its clear from this thread that people have varying memories of the tone of the general discourse, with yours as alien to others as mine to yours. Your memory of the discourse in influenced solely by the discourse you were exposed to, the people you consorted with, the articles you read, and that is true of everyone. People have a natural tendency to associate with/get information from people/sources who confirm their views. this phenomenon is real, it applies to almost everyone, and its demonstrated in the way news media outlets retain and attract viewership (conservatives watch conservative news channels, surprised?). The idea of online echo chambers is also very real and people rarely acknowledge their participation in them. Sometimes they don’t even know.
Im familiar with the creators beef of new 52.. it was writers mainly, not artists, and the issues were business-ended.. stemming from attrition, the DC HQ move to LA in the middle of it, and feeling of being overstretched/overassigned. expectations set too high. Their complaints did not stem from an inherent dislike of the reboot. Gail simone did a piece on it you should read. The writers were actually proud of their work, and some artists had an almost opposite experience feeling they were given more freedom than they had previously been allowed.
Its unfortunate you took time to write this because while of interest to some, it is mostly extraneous information of the reboots inspiration and motivation that speaks nothing to why the organization’s estimation of the most popular course of action has become sounder now, during IF, than at the time at which the new 52 was conceived. Is it your theory that it is because of changes in leadership and the people mentioned above are not in control?We kind of know why DC started the New 52. It was, largely, the brainchild of Dan Didio. There is a highly documented record of Dan Didio not liking the fact that characters had aged in the DC Universe. He believed that characters like Nightwing and Wally West posed major issues to the DC lore and even said that at one point "Dick Grayson [is] gonna be older than Bruce Wayne, because Bruce Wayne doesn't age." He even wanted to kill off Nightwing during Infinite Crisis, and it was only by Geoff Johns's intervention that Nightwing wasn't killed off, but at the cost of Superboy instead being killed.
Didio had been known to be pushing for a line-wide reboot as far back as 2005, I believe. The only thing that was stopping him from getting his way back then was Paul Levitz who was decidedly against it. It was only after Levitz left the position of co-Publisher (or was it EiC, I forget), that Didio was able to push through rushed plans for a reboot. It's even been documented that Geoff Johns never intended Flashpoint to be a reboot of the DC Universe. Didio intervened at the last minute and made it such.So, yeah, we know why DC decided to do the New 52. It was because of certain editorial elements that have since left the company, at least for the most part.