Here’s the longer version of Jenkins comments for more context. She seemed to be critical of the inherent disposability of the streaming model that relegates movies to simply part of a ocean-swell of content for the algorithm, and how the model is being used a sort of dumping ground for movies, which in effect dilutes the theatrical model.
She technically isn’t wrong. Netflix movies hardly ever come up in the pop culture conversation on the level of a theatrical movies, and once a studio decides to sacrifice theatrically-intended movies like Mitchell’s Versus Robots to the altar of streaming I think there’s an argument to made that it hurts theatrical exhibition by depriving those movies of a theatrical run in favor of streaming. Though obviously a large part of that is due to the pandemic, and Jenkins is expressing her frustrations at studios like Warners moving more and more to that model thanks to the pandemic and becoming reliant on that. So she’s merely sounding the alarm on the strategy and the mindset. Pointing out that the model isn’t a suitable method for films and filmmakers towards attracting mainstream recognition and achievement.
That being said, even with theatrically released movies a vast majority of them don’t really make the conversation and there’s a lot of garbage that gets forgotten about. Arosnon’s insinuation that a movie is only a movie if it’s released in theaters and a movie released on streaming is a just TV movie is reductionist nonsense, and ignores good streaming only films like Da 5 Bloods. I know Netflix movies are mostly trash, but I don’t think theatrical exhibition’s track record this year is that much better. There’s a lot of movies intended for theaters that got dumped on streaming that would’ve bombed had it been released in theaters.
In fact, the majority of WB’s slate this year has been poorly received and likely wouldn’t have done well even if they were given conventional theatrical only releases, and so many studios are much more reticent to actually make those independent movies and distribute them because they don’t make much money off of it. Streaming provides a good avenue for those movies that otherwise studios wouldn’t risk any money to make to be released.